收購相機及鏡頭 您用不到相機鏡頭 不論新舊，都可以換現金 陪您走過每個黃金歲月的年頭，現在因為家庭或工作總總因素，這些可愛的相機及鏡頭寶貝們，除了躺在倉庫，安靜在防潮箱等候主人帶它們出勤之外，應該可以有個兩全其美的辦法＂就是讓給有緣人＂，讓它再度發揮存在地球上的價值吧！
拆封相機收購
實習記者黃肇祥／綜合報導
iPhone X 今天正式開賣，除了昨晚在台北信義區就湧現不少排隊人潮，世界各地也充滿許多果迷紛紛排隊搶購 iPhone X，顯見其高達 35,900 台幣的售價並沒有嚇走死忠的果迷，對比 iPhone 8 的排隊人潮，或許蘋果靠著 iPhone X 再次打造新的排隊旋風。
▲許多果粉興奮地展示自己的iPhone X，儘管價位高但仍吸引大批民眾搶購。（圖／翻攝 Tim Cook 推特）
雪梨是全球第一個開賣的城市，早在 10 月 27 號就有人開始於門口卡位。Bishoy Behman 是第一位買到 iPhone X 民眾，他一口氣買了兩支 256GB 的機型，並且在走出店外之後，隨即向正在排隊的民眾兜售另外一支手機，他表示：「這是全新的 iPhone、新的世代，iPhone 8 並沒有這麼多功能。」
20 歲的軟體工程科系學生 Mazen Kourouche 則是全球第一位拿到 iPhone X 的果迷，早已預先於網路上預定 iPhone X，他更表示每年都會選擇升級自己的 iPhone，並計畫用新款手機來拍攝自己的 YouTube 影片，「新的規格和螢幕大小是最吸引我的地方，還有他全螢幕的設計，看起來非常不錯。」
▲台北信義區直擊今天凌晨湧現許多民眾排隊。（圖／記者洪聖壹攝）
蘋果手機在日本有相當大批的死忠粉絲，在東京矽谷都有大批的排隊人潮，至少橫跨兩條街道在排隊購買 iPhone X，兩天前就來排隊的 Iori Watanabe 是 500 人中排在最前頭的，今年 21 歲任職於相機公司 拆封相機收購olympus 的 Watanabe 表示，購買 iPhone X 主要是用來取代自己原先的 iPhone 5，對於全新的螢幕設計以及臉部辨識最感興趣。
至於北京三里屯 Apple Store 的排隊人潮則略輸日本，但科技網站《CNET》認為這可能與北京的 Apple Store 眾多分散人潮有關，仍有大批民眾熱情排隊等著購買 iPhone X，排在第一位的是 31 歲的 Lloyd Yu，他才剛入手最新的 iPhone 8 Plus，但身為資深果迷他仍想要繼續升級到 iPhone X，「我認為蘋果一切的設計都是最好的。」
。
（圖片來源／彭博）
來自韓國最新的消息，三星下一款頂規旗艦 Galaxy S22 Ultra 傳將會有 2 億畫素相機，且最快於 2022 年 1 月上市。
韓媒《Pulsenews》引據供應鏈的相關消息，指出三星已經與日本的奧林巴斯（拆封相機收購olympus）公司簽約，並同意在最新的三星旗艦手機上使用奧林巴斯製造的 5 鏡頭、200MP 感光元件模組。
此外，該媒體還透露新的 Galaxy S22 Ultra 仍會支援 S Pen 手寫筆，且很有機會在這次成為包裝盒內附增的標準配置。
拆封相機收購 拆封相機收購
拆封相機收購
None
此為 Nikon 首款 APS-C 片幅的無反相機 Z50。（圖／記者黃肇祥攝）
面臨 Canon、Sony 以及富士等品牌夾擊，Nikon 近年銷量急速下滑，儘管 Z 系列相機頗受好評，新機登場速度卻仍不及競爭對手。最新傳言指出，Nikon 接下來要打出「復古」牌，推出無反版本的 DF 相機。
根據《NikonRumors》爆料，Nikon 新機將不會是沿用數字作為代碼，可能被稱為「Zfc」，定位類似於 2013 年的 Nikon DF，以經典、復古的設計為賣點。透過釋出的諜照可以發現，這款相機類似於 Nikon FM 底片機，機身沒有把手、有機械式轉盤，軍艦頂有皮革做為搭配，據悉會有銀、黑、棕三種配色。
新機會採用傳統的轉盤設計，強調操控性。（圖／翻攝 nikonrumors）
左為傳言出的 ZFC，右則是 Z50，可以發現 ZFC 沒有握柄，以及突出的軍艦頂和轉盤設計。（圖／翻攝 nikonrumors）
消息指出，該相機會是 Z 接口的 APS-C 規格，整體與當前的 Z50 接近，可能搭配 28mm f/2.8、35mm f/1.8 兩顆全新定焦鏡一起販售，鏡頭是 Z 系列的新產品，不會走復古路線。Kit 鏡組傳售價為 999 美元（約 27,600 元），可能在 6 月 28 日發表、7 月底正式上市。
拆封相機收購 拆封相機收購
拆封相機收購
Connecticut resident as the supposed identity behind “Apollo,” one of 拆封相機收購olympus’s pseudonymous co-founders.UnmuteWormhole’s W Token Has a 999% Weekly Return; Why VanEck Is Bullish on Ethereum Layer 2s15:12NEAR Launches Multichain Access02:07Three Crypto Predictions in 202400:52Why Injective’s INJ Has Surged 3,000% in 202311:05How Spool Is Aiming to Help Institutions Enter DeFiCoinDesk has not independently verified the identity of the alleged Apollo and has reached out to the individual named in the lawsuit, Daniel Bara, for comment.What is 拆封相機收購olympusDAO?The Ethereum-based 拆封相機收購olympusDAO project has been one of the most talked-about – and most controversial – experiments to enter the world of DeFi in the past year.The project sought to establish its native OHM token as a digital reserve currency through a mix of memes and game theory, but its price famously tanked 95% this past winter.The OHM token now sits at $28 according to CoinMarketCap, down from a $1,300 peak in October.The complainant in the lawsuit filed Thursday, Australia-based investor Jason Liang, says he agreed to promote 拆封相機收購olympusDAO and paid $50,000 in DAI (a U.S. dollar-based stablecoin) in a private funding agreement in exchange for 4 million pOHM, a precursor to OHM. According to an 拆封相機收購olympus Medium post, investors like Liang were later able to mint 1 OHM in exchange for 1 DAI and 1 pOHM.In his suit, Liang alleges that after he started selling some of his 拆封相機收購olympus tokens, the 拆封相機收購olympus team punished him by rendering inoperable the smart contracts enabling him to redeem pOHM for OHM.Liang says the 拆封相機收購olympus team’s ability to meddle with key smart contract functionality undermines claims that the project is decentralized.According to the lawsuit, the 拆封相機收購olympus team also used pseudonymity to protect its members from liability.Liang alleges that a token purchase agreement (TPA) between him and 拆封相機收購olympus stated that money raised in the private funding round would go to a company that didn’t actually exist. With the identities of 拆封相機收購olympus’s founders a secret, the lack of an officially registered company behind the fundraiser was, according to the lawsuit, designed to make it difficult for an investor like Liang to pursue legal action against the project.The suit says Liang’s legal team identified Apollo by doing a reverse lookup on a phone number Apollo used to call Liang. The name behind the phone number matches one that was signed on the token purchase agreement that Liang originally thought was fictitious.In an email to CoinDesk, Joseph B. Evans, an attorney for Liang, said: “There is a completely legal and legitimate way to run a DAO. This isn’t it. It appears that certain organizations still believe they can avoid liability if their founders and promoters hide behind screen names, social media handles and fictitious entities. My client provided much needed start-up capital to 拆封相機收購olympus, and he is entitled to share in its success.”Is 拆封相機收購olympusDAO an ‘honest Ponzi’?When 拆封相機收購olympusDAO was launched last year, the project’s unique bonding and staking mechanics promised staggeringly high returns to investors in the realm of 10,000% annual percentage yield (APY). In order for the system to work, OHM holders were encouraged to interact with 拆封相機收購olympus’s smart contracts according to a set of game theory principles “memefied” by the project’s community.”Hodling,” buying, and staking OHM would theoretically guarantee steady, sky-high returns for the whole community. Selling, like Liang did, was sacrilege.A flock of vocal critics dismissed 拆封相機收購olympusDAO as a Ponzi scheme from its very start, but the DAO still managed to spur an entire “DeFi 2.0” movement – inspiring popular spinoffs like KlimaDAO and WonderlandDAO to jump in with their own high-yield token systems.As 拆封相機收購olympusDAO has grown into one of the most popular projects in decentralized finance, its creators – the pseudonymous “Zeus” and “Apollo” – have remained anonymous (until now, perhaps, in Apollo’s case).Pseudonymity of a project’s core contributors is not uncommon in the world of DAOs, and it has been framed as a way for a decentralized community to preserve meritocracy.Liang’s lawsuit suggests there are other reasons why DAO creators might want to hide their identities, and the filing comes a couple of months after the pseudonymous creator of WonderlandDAO, 拆封相機收購olympusDAO’s largest spinoff, was unmasked as a well-known convicted felon.This is a developing story. Check back for updates.Further reading on pseudonymityWhy CoinDesk Respects Pseudonymity: A Stand Against DoxxingCrypto’s Challenge: Right-to-Privacy vs. Right-to-KnowYour Right to Anonymity Ends Where Risk to My Money BeginsThe Perils of Crypto’s Pseudonymous EconomyWonderland’s (and DeFi’s) Anonymity ProblemOf Course It’s OK to Out the BAYC Founders 拆封相機收購olympusDAO lawsuit by CoinDesk on ScribdDisclosurePlease note that our privacy policy, terms of use, cookies, and do not sell my personal information has been updated.CoinDesk is an award-winning media outlet that covers the cryptocurrency industry. Its journalists abide by a strict set of editorial policies. In November 2023, CoinDesk was acquired by the Bullish group, owner of Bullish, a regulated, digital assets exchange. The Bullish group is majority-ow
▲底片相機能拍出復古質感風格的照片。（示意圖／Photo by VanveenJF on Unsplash）
記者張家瑋／綜合報導
近年來復古當道，從摺疊式掀蓋手機到底片相機，都掀起流行風潮。底片相機除了可以享受剎那瞬間的畫面捕捉，也能有收到沖洗照片時的滿滿驚喜感。Podcast節目《娜你知道嗎》主持人莫娜就來聊聊底片相機的逆勢回歸。
▲點擊收聽Podcast《娜你知道嗎》，搞懂底片相機有多夯。
莫娜分享了近期歌手伍佰老師的專訪，提到自己隨身攜帶的10個必備物品，其中包括他的相機收藏。伍佰老師以小相機和大相機來形容他的相機們，並表示這些相機是他的通行證，無論身在何處，都會攜帶著它們。令人驚訝的是，他擁有多達5台不同型號的理光GR相機，將它們視為珍貴的收藏品。
伍佰老師所擁有GR-1V和GR-1兩款理光底片相機，分別是在90年代和00年代初期所推出，這些相機以其獨特的色彩和質感而聞名，被譽為街拍神機，至今仍然受到大眾喜愛。特別值得一提的是，日本街頭攝影師森山大道的作品，大部分也都是以隨身攜帶的GR21所拍攝。
而隨著底片相機熱潮再起，底片的需求也隨之上升，加上各大廠近年陸續宣布停產和原物料短缺，導致價格持續上漲。舉例來說，一卷「富士業務100」（24張）的價格已達到了270元台幣，這個價格足夠買一張64GB的SD記憶卡，可以存儲上千張照片。
▲莫娜也分享了幾台CP值高的底片相機。（示意圖／取自免費圖庫pixabay）
莫娜也分享了幾台底片相機，像是Kodak柯達的Ektar H35，它具有現代感，被稱為CP值最高的相機之一，非常適合想要節省底片拍攝成本的人，僅需一兩千元即可入手。另一個選擇是拆封相機收購olympus Trip 35底片相機，它於1967年推出，具有濃厚的復古風格。最後一款則是Canon Canonet QL17底片相機，許多玩家視為最值得收藏的旁軸相機之一，它具有快速裝入底片的功能，在自動模式下，鏡頭會自動測光，並且通過觀景窗內的指針顯示光圈值，不過，這款相機更適合有經驗的攝影愛好者。
底片相機的魅力在於它們獨特的風格和拍攝體驗，不僅能夠激發攝影愛好者的靈感，還能帶來很多樂趣和回憶，你手上有底片相機在使用嗎？不如趁著連假時拍一卷，重新感受復古風潮吧。
拆封相機收購 拆封相機收購
拆封相機收購
（圖翻攝OM System官網）
已有85年歷史的日本相機品牌拆封相機收購olympus，在去年把相機部門轉手賣給私募基金公司「日本產業夥伴」（JIP）後，目前由新公司OM Digital Solution 負責相機鏡頭產品線。
雖然今年仍有推出拆封相機收購olympus品牌的相機產品，不過，稍早官方於線上舉辦新品牌發表會的直播時，正式向外界宣告，未來將採用全新的「OM System」品牌名稱推出相機鏡頭新品，並預告正積極開發以M43（Micro 4/3）系統為主的相機領域。除透露新品將朝更輕量小巧的發展路線，同時也指出，針對影像軟體演算法技術的改善與精進，也是未來的發展主軸重點。
在這場直播活動上，也釋出目前正進入開發後期階段的M43新品，雖影片出現的機身剪影僅有短短數秒，不過可以看到似乎是旗艦級微單眼E-M1X 的後繼機款。
實習記者黃肇祥／綜合報導
iPhone X 今天正式開賣，除了昨晚在台北信義區就湧現不少排隊人潮，世界各地也充滿許多果迷紛紛排隊搶購 iPhone X，顯見其高達 35,900 台幣的售價並沒有嚇走死忠的果迷，對比 iPhone 8 的排隊人潮，或許蘋果靠著 iPhone X 再次打造新的排隊旋風。
▲許多果粉興奮地展示自己的iPhone X，儘管價位高但仍吸引大批民眾搶購。（圖／翻攝 Tim Cook 推特）
雪梨是全球第一個開賣的城市，早在 10 月 27 號就有人開始於門口卡位。Bishoy Behman 是第一位買到 iPhone X 民眾，他一口氣買了兩支 256GB 的機型，並且在走出店外之後，隨即向正在排隊的民眾兜售另外一支手機，他表示：「這是全新的 iPhone、新的世代，iPhone 8 並沒有這麼多功能。」
20 歲的軟體工程科系學生 Mazen Kourouche 則是全球第一位拿到 iPhone X 的果迷，早已預先於網路上預定 iPhone X，他更表示每年都會選擇升級自己的 iPhone，並計畫用新款手機來拍攝自己的 YouTube 影片，「新的規格和螢幕大小是最吸引我的地方，還有他全螢幕的設計，看起來非常不錯。」
▲台北信義區直擊今天凌晨湧現許多民眾排隊。（圖／記者洪聖壹攝）
蘋果手機在日本有相當大批的死忠粉絲，在東京矽谷都有大批的排隊人潮，至少橫跨兩條街道在排隊購買 iPhone X，兩天前就來排隊的 Iori Watanabe 是 500 人中排在最前頭的，今年 21 歲任職於相機公司 拆封相機收購olympus 的 Watanabe 表示，購買 iPhone X 主要是用來取代自己原先的 iPhone 5，對於全新的螢幕設計以及臉部辨識最感興趣。
至於北京三里屯 Apple Store 的排隊人潮則略輸日本，但科技網站《CNET》認為這可能與北京的 Apple Store 眾多分散人潮有關，仍有大批民眾熱情排隊等著購買 iPhone X，排在第一位的是 31 歲的 Lloyd Yu，他才剛入手最新的 iPhone 8 Plus，但身為資深果迷他仍想要繼續升級到 iPhone X，「我認為蘋果一切的設計都是最好的。」
拆封相機收購 拆封相機收購
拆封相機收購
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我們想讓你知道…居然不能自拍…..
記者莊友直／台北報導
拆封相機收購olympus 近期的機型定位仍是以復古搭配高性能的方式設計，而睽違 2 年發表的新入門微單 E-M10 III 更是體現了這句話，不僅維持前代的機身設計，且將操作改為更貼近初學者的設計；但機身性能可完全不含糊，因為獲得了機皇 E-M1 II 的對焦與影像處理器，某種層面上也算上打一拖拉庫機型了吧？
接下來也趁著台灣廠商辦體驗行程的機會，對這款性能與親民兼具的入門微單來個簡單體驗。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器（同 E-M1）
・外型設計維持二代設計，前方握把加厚提升握感
・機頂按鍵微調，左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀自拍觸控螢幕
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s（機械），電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps（II 代為 8.4fps）
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格，新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm，重約 410g（含電池、記憶卡）
＊外型
E-M10 III 外型設計雖然與前代有些類似，仍是有 E-M5 路線但更為輕巧的復古設計；但也有些微調，但正面的握把有做加厚處理，更好握持外；機頂的按鍵也有做微調，像是右上曲線改為放大檢視外，左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪，不像前代面積來的那麼大，視覺效果感覺有些偷工。
▼E-M10 III 機身一樣與前代維持差不多的設計，但手把可發現變得更深、好握。（圖／記者莊友直攝）
▼模式轉盤與速控轉盤上的止滑處理，在 E-M10 III 似乎面積變小，感覺有「偷工」嫌疑啊！（圖／記者莊友直攝）
機頂部分和 E-M10 II 比較之下，整體除了拍攝模式轉盤有作些微調整外，比較大的更動在於右上方的曲線變為放大檢視，而左下的 Fn3 也變為可在不同模式下快速叫出操控選單的快捷鍵。
▼E-M10 III（左側）與前代 E-M10 II 機頂相比其實差別不大，但可發現左上與右下的快捷鍵有所更動。（圖／記者莊友直攝）
▼可發現 E-M10 III 在模式轉盤有著些許更動，稍晚我們也會做詳盡說明。（圖／記者莊友直攝）
機背在整體操作按鍵區域配置上，與前代其實差別不大，因應其入門機種的易操作特性，大部份按鍵皆位於機背右方方便操作，並具備 3 吋 102 萬畫素上掀觸控螢幕，以及 234 萬畫素電子觀景窗。實際觀看 EVF 的視覺感受比起上代要來得好一些；但身為入門機種卻不能自拍外，螢幕的畫素呈現讓照片似乎有些糊糊的，感覺要利用電子觀景窗看才會比較清晰，如果能改進一下就更好了。
▼E-M10 III 機背的按鍵配置與前代差不多，不過本次螢幕畫素還是有些糊糊的狀態，需要靠 234 萬畫素的 EVF 賞圖比較清晰。（圖／記者莊友直攝）
▼E-M10 III 配置 3 吋 102 萬點上掀式觸控螢幕，操控反應還算不錯，最大缺憾就是無法自拍。（圖／記者莊友直攝）
機身右側則配有 USB 與 HDMI 連接埠，至於左側則是什麼都沒放，記憶卡與電池皆至於機底處；另外，相較 E-M10 II 未有電池狀態顯示， III 代則是具備 4 格顯示，也算是電力管理上的一大改進。
▼機身右側設有 USB 與 HDMI 連接埠，記憶卡和電池則是整合在機底的電池槽中。（圖／記者莊友直攝）
＊操作
談完了 E-M10 III 在操作上的小改變，拍攝技能上，拆封相機收購olympus 因應入門機的定位，搭載 1,600 萬畫素 Live MOS M4/3 感光元件之餘，比較大的升級就在導入機皇 E-M1 II 的 TurePic VIII 影像處理器，以及 121 點對焦系統，如此的改變不僅讓感光度範圍升至 ISO200-25,600，連拍速度也從 8.4fps 增加到 8.6fps，並支援光學防手震外（仍是 4 級快門速度） ，也多了方便連續對焦的「泡泡」對焦。
▼E-M10 III 雖然感光元件與前代相比差不多，但導入 E-M1 II 的影像處理器與 121 點對焦系統，算是有感升級。（圖／記者莊友直攝）
至於拍攝模式上，由於 E-M10 III 畢竟還是一台入門階級的微單眼，本次也做了蠻多幅度的改變。除了基本的 PASM 拍攝模式之餘，也將初學者必備的情境模式介面做了更改，且子功能下方還會有更多相關設定。以夜景來說，下方就會出現光軌拍攝、夜景帶人像等不同模式。
▼E-M10 III 因應初學者定位，在情境拍攝模式上也做了更易用的大改版。（圖／記者莊友直攝）
另外，本次也新增整合了 拆封相機收購olympus 諸多高階功能如即時合成、HDR、全景等高階拍攝情境的 AP 專家模式，並多了一款藉由連拍拍攝單一物體、不同合焦範圍的「對焦包圍」功能，對於商品拍攝、微距題材來說可提升不少拍攝成功率。
▼本次整合高階拍攝情境的 AP 專家模式，可讓有特殊需求的用戶自行選擇即時合成、HDR 等高階功能。（圖／記者莊友直攝）
▼對焦包圍能以連拍方式拍攝單一物體、不同焦距的照片，對於商品攝影和微距題材來說頗為實用。（圖／記者莊友直攝）
至於濾鏡部分，本次也多了主打金屬色表現的漂白藝術濾鏡可選，最多可一次選擇 15 種；另外，對傻瓜專用的 i-auto 模式，在 E-M10 III 中也改名為 auto，並會自動偵測主體與場景的晃動速度，藉此自動改變快門，整體可說是操控更趨入門，不過內在核心更為專業的發展狀態，真的要說一項缺點的話，恐怕還是不能上掀自拍吧？
▼E-M10 III 本次也新增兩款漂白濾鏡，共計有 15 款可以選擇。（圖／記者莊友直攝）
▼漂白濾鏡示範，可發現整體色調變得比較暗淡一些，但金屬色系則會有明顯的突出。（圖／記者莊友直攝）
以下也提供本次記者會的幾張實拍照片，更多範例可點這裡觀看
拆封相機收購 拆封相機收購
拆封相機收購
（圖／拆封相機收購olympus 提供）
拆封相機收購olympus 相機部門在遭到出售後，今日（6/9）終於發表第一款新品，推出主打簡約、復古設計的 PEN E-P7 微型單眼相機，有招牌的 5 軸機身防震與 2,000 萬像素 Live MOS 感光元件。
PEN E-P7 是繼 2013 年的 E-P3 後 PEN 系列的新品，傳承設計師米谷美久（Yoshihisa Maitani）簡約和個性的設計理念，前後轉盤皆以鋁金屬加工而成，機身淨重298g〔3〕，搭配標準變焦鏡頭 M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ 組合總重量約為 430g，共有「經典銀黑」與「簡約銀白」雙色可供選擇。
機身前方設有創意撥桿，可以切換為一般拍攝模式和彩色／單色配置控制模式。利用可微調 12 種顏色中，調校各自的飽和度、陰影、高光和陰影的「彩色配置控制」，以及黑白攝影的「單色配置控制」，彩色／單色配置控各自包含 4 個配置檔，使用者可以根據自己的喜好更改每個配置檔的預設值後儲存使用。
（圖／拆封相機收購olympus 提供）
在 PEN E-P7內有更多藝術濾鏡支援微調功能，除了原有的「濃化色調效果」和「柔焦效果」外，還有新加入的「針孔相機效果」、「負片沖印效果」及「即影即有菲林效果」，只需在觸控螢幕上移動推桿，即可自由調校至心儀的效果。
規格方面是搭載 2,000 萬像素 Live MOS 感光元件，和 TruePic VIII 影像處理器，內置 5 軸機身防震系統，擁有高達 4.5 級快門速度補償效果，即使在光線昏暗的環境下進行抓拍。相機亦內置高階機款的「進階臉孔優先／眼部優先」自動對焦功能，就算面對昔日難以進行臉孔偵測的場景，也可以穩定地將焦點鎖定在主體的臉上。
有關詳細售價、上市資訊，仍待台灣官方後續公開。
我們想讓你知道…操控也更直覺了！
記者莊友直／台北報導
經歷先前的傳聞後，拆封相機收購olympus 終在今（8/31）日推出睽違 2 年的入門微單眼 E-M10 III，整體外型仍維持前代復古規格；但諸多操作性能有微調、令其更符合初學者外，也導入來自 E-M1 II 的影像處理器與對焦系統，可說是超大升級！
E-M10 III 外型設計雖然與前代有些類似，但正面的握把有做加厚處理，更好握持外；機頂的按鍵也有做微調，像是右上曲線改為放大檢視外，左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪，不像前代面積來的那麼大，視覺效果感覺有些偷工。
▼機身正面可發現 E-M10 III 握把變得更厚實，不過機頂的操控轉盤止滑設計並無整個覆蓋，感覺有點偷工 。（圖／翻攝自官網）
▼機頂按鍵配置較前代有些微調，右上方曲線改為放大檢視，左下的 Fn3 則是變成能叫出拍攝選單的快捷鍵。（圖／翻攝自官網）
拍攝效能部分，E-M10 III 搭載與前代相同的 1,600 萬畫素 Live MOS M4/3 感光元件，卻導入機皇 E-M1 II 的 TurePic VIII 影像處理器，讓感光度可至 ISO200-25,600 外，連拍反應也從 8.4fps 增加至 8.6fps，且終於支援光學防手震下連拍了；不過 E-M10 III 五軸防手震仍是 4 級補償，沒有獲得下放，也算是入門機的宿命吧。
▼機背配置 3 吋 102 點畫素上掀觸控螢幕（不可自拍），整體按鍵配置與前代差別不大。（圖／翻攝自官網）
其他機能上，E-M10 III 具備 4K@30fps（無限時間，前代為 30 分鐘）、FHD@60fps，以及 HD@120fps 的高速錄影，也多了短片編輯功能；另外，針對初學者的操控機能上，E-M10 III 也大幅更改介面，不僅將 4K 影片獨立到錄影區塊，也有一區專業攝影模式 AP，內含曲線、重複曝光等不同拍攝模式。
▼在拍攝機能上。E-M10 III 不僅導入 E-M1 II 機皇的對焦與影像處理器，針對入門初學者也有更直覺的拍攝模式。（圖／翻攝自官網）
E-M10 III 海外預計 9 月底上市，單機身售價 649.99 美金，約合台幣 19,741 元，至於 14-42mm Kit 組則是 799.99 美金，約 24,297 台幣，台灣上市情報目前未定。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器（同 E-M1）
・外型設計維持二代設計，前方握把加厚提升握感
・機頂按鍵微調，左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀觸控螢幕（不可自拍）
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s（機械），電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps（II 代為 8.4fps）
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格，新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm，重約 410g（含電池、記憶卡）
拆封相機收購 拆封相機收購
拆封相機收購
Humans have a hard time letting go of the past. Sometimes it’s a good thing — nostalgia helps people fight loneliness and can even make them more tolerant. Other times it feels like a weakness, mostly because of how easily it gets exploited in the name of reunion tours and shows like Fuller House.
Profiting off these impulses isn’t exclusive to the entertainment industry — camera companies take advantage of nostalgia, too. 拆封相機收購olympus, Canon, Nikon, and Fujifilm have all spent the last few years drawing from their long camera legacies to to make their newest digital cameras look like their film forebears.
The next logical step, I wrote late last year, was for these companies to capitalize on this trend by resurrecting the iconic SLR film cameras like the the Canon AE-1. It seemed like an obvious move, especially for Canon and Nikon, to leverage our love for flagship film cameras — many of which were the first cameras some of us ever used — in order to make up ground in the burgeoning mirrorless camera market.
What I didn’t expect was that 拆封相機收購olympus would beat everyone to the punch. In January, the company announced the 拆封相機收購olympus Pen-F, and it was exactly what I predicted — a legacy film camera with digital guts, or what 拆封相機收購olympus calls a “digital update of the original Pen-F.” Like its competitors, the Pen-F juxtaposes classic looks and metal with things like digital screens and Wi-Fi connectivity. The difference is 拆封相機收購olympus’ new camera mixes the old and the new so well that, for a moment, I’m not too upset about that Legends of the Hidden Temple remake.
The original Pen-F is one of the company’s classic film cameras from the late 1960s. And like its predecessor, the new Pen-F is basically all metal. Aluminum and magnesium give the new Pen-F a sturdy, solid feel, and the cohesion is amplified by a lack of visible screws. Some companies — 拆封相機收購olympus included — have taken to throwing fake metal finishes on plastic bodies as a way of acquiring a retro look on the cheap, so this is a very welcome break from that. A belt of rubbery fake leather that stretches around the middle completes the look, and helps you grip the camera as well.
The Pen-F’s metal body looks beautiful and feels incredibly solid
拆封相機收購olympus also included a number of little homages to the film camera era throughout the design of the new Pen-F. The on/off switch looks like a film rewind lever, there’s a working cable release mechanism in the shutter button, and the AF assist light sits right where you’d expect to find a rangefinder, all adding to the the classic look.
The only regrettable thing about the Pen-F’s design is that it doesn’t look enough like the original Pen-F. The body of 拆封相機收購olympus’ old film Pen-F had a wide, low profile, and the metal top sloped very stylishly down from one side to the other. With 40 years of hindsight, the old Pen-F looks very much like an object from the ’60s. The digital Pen-F isn’t quite as radical and — if it weren’t for the 拆封相機收購olympus branding right above the lens mount — it could be easily mistaken for one of the many similar cameras Fujifilm has released in the last few years.
The big difference between this camera and the Fujifilms is that the Pen-F is just loaded with knobs, dials, and buttons. It’s the first thing you notice when you look at the Pen-F, and the appearance can be intimidating — but they’re not just for show. The dials are all metal, and each one features its own particular (and particularly satisfying) click so that you know, without looking, what it is you’re changing. That’s the real beauty of the Pen-F: it not only looks incredible, but it’s often a joy to use — as long as you’re willing to be patient.
Tons of customization, so patience is key
Like any good modern digital camera, the functions of these buttons and dials are nearly all customizable. You can reassign the two “function” buttons to perform specific tasks like changing the ISO or locking the exposure, or you can even change the purpose of the dials above your thumb and forefinger. 拆封相機收購olympus has also placed four different customization modes on the PASM dial, so you can quickly switch to a profile that’s best suited for low light shooting, or something more tailored for landscapes, for example. These days, 拆封相機收購olympus’ menu system is still too cluttered for its own good, but it’s worth going through all the work it requires because once you set the camera up to your liking you almost never have to dip back into the menus.
Setting the striking design aside, 拆封相機收購olympus promised the Pen-F would be packed with some of the features the company’s been developing on its flagship OM-D line of mirrorless cameras. Chief among them found on the Pen-F are things like 5-axis image stabilization, rapid-fire burst shooting, and a suite of preset color profiles, filters, and effects. 拆封相機收購olympus has also included a small but excellent 2.36 million dot electronic viewfinder, and a fully-articulating 3-inch LCD touchscreen.
These modern features make the Pen-F feel like a powerful camera for its size, but a few of them aren’t without drawbacks. The 5-axis stabilization makes it easier to shoot in low light or at long focal lengths, but it doesn’t feel as robust as the stabilization offered by some of the competition. On Sony’s newest cameras, the 5-axis stabilization feels like a superpower. On the Pen-F, it just feels like an aid.
The Pen-F can shoot stills at up to 20 frames per second using the electronic shutter. That kind of ludicrous sequential shooting is tempting, but at that speed you’re likely to see some warping, or “rolling shutter” in the corners of your images — a problem that is exacerbated because the image stabilization shuts off in high-speed modes. The “slower” modes (10 or 5 frames per second) use the mechanical shutter, but were still a bit frustrating: here, the camera locks the focus and exposure from first image onward. This all means you can’t move the camera much, or pan across dynamically-lit scenes during a burst of shooting, which is frustrating, because that’s when high sequential speeds are most helpful.
Even when you shoot at more modest speeds like five frames per second, the camera’s outdated contrast detection autofocus never feels up to the challenge of shooting moving subjects. Over the course of a few weeks with the Pen-F, I kept trying to force using it for street or documentary-style photography, but each time I found myself a bit let down. The Pen-F starts up fast and can quickly focus on a static subject, but ask it to do too much more and you can wind up frustrated.
The Pen-F, then, feels better suited for more contemplative photography. And considering the amount of customization afforded by the plethora of buttons and dials, you actually benefit from a slower approach with the Pen-F. I never hesitated to pick it up when I was shooting a portrait, or a landscape, or taking simple candid shots, and it was my go-to option during the week we spent in Barcelona for Mobile World Congress.
The new “creative dial,” which sits on the front of the camera, is a perfect example of this. (It’s one of the few direct callbacks to the design of the original Pen-F.) It has five modes, and the idea is it removes the need to dig through menus if you want to switch color profiles. If you think a scene is better suited for black and white photography, you can twist the dial over to “Mono,” or if you’d like to use one of 拆封相機收購olympus’ “art filters,” they’re right here, too. Fujifilm has taken to equipping its cameras with film simulation modes, and this is 拆封相機收購olympus’ way of playing to that same impulse. It sounds gimmicky, but I found myself using the dial more than I imagined. 
The value with 拆封相機收購olympus’ take on this comes from the ability to tweak each mode to your liking. If you really like deep blacks in your monochrome images, you can make that the default when you switch to Mono. That’s the Pen-F at its best; with a little work, you can access loads of personalization at your fingertips without lifting your eye from the viewfinder.
All of this customization would be for naught if the camera didn’t produce great images. I worried that the smaller Micro Four Thirds sensor would leave me wanting more pixels, but 拆封相機收購olympus actually expanded the resolution to 20 megapixels with this sensor — up about 20 percent from the 16 megapixels afforded by its other cameras. It winds up capturing plenty enough detail for the images to look great on phones and even laptop screens, and even though the pixels are smaller, the Pen-F performs competently in low light thanks to the 5-axis stabilization.
There are still some unavoidable limitations of a Micro Four Thirds sensor that even the Pen-F can’t overcome, like not being able to reproduce the shallow depth of field that APS-C and full frame sensors provide. And, placed side by side with images taken by APS-C or full frame sensors, the quality of the Pen-F’s 20 megapixels doesn’t quite hold up. The video quality (yes, of course it shoots video) is also underwhelming. But the benefits of Micro Four Thirds remain: It’s light and easy to travel with, and 拆封相機收購olympus has built out an extensive lens ecosystem with some high quality glass.
Handheld with the shutter at 1/30th of a second and an ISO of 3200.
You could say a lot of these same things about the OM-D series, 拆封相機收購olympus’ more modern-looking Micro Four Thirds cameras, which gets to the real problem with the Pen-F. Buying the Pen-F over 拆封相機收購olympus’ other cameras is basically a choice based completely on aesthetics, and it’s one that will cost you. 拆封相機收購olympus is selling the Pen-F body for $1,199, which is a good $200-300 more than any of the OM-D cameras — and they come paired with a starter lens.
If you’re in love with the idea of a digital camera that looks, feels, and operates like a classic film camera, the Pen-F is one of the best ever made. And if you already own a number of 拆封相機收購olympus lenses, it has to be a tempting indulgence. For everyone else, it’s just the latest experiment in nostalgia — one that I hope 拆封相機收購olympus’ competitors are watching closely.
Photography by Sean O’Kane, lead photo by Amelia Krales
此為 Nikon 首款 APS-C 片幅的無反相機 Z50。（圖／記者黃肇祥攝）
面臨 Canon、Sony 以及富士等品牌夾擊，Nikon 近年銷量急速下滑，儘管 Z 系列相機頗受好評，新機登場速度卻仍不及競爭對手。最新傳言指出，Nikon 接下來要打出「復古」牌，推出無反版本的 DF 相機。
根據《NikonRumors》爆料，Nikon 新機將不會是沿用數字作為代碼，可能被稱為「Zfc」，定位類似於 2013 年的 Nikon DF，以經典、復古的設計為賣點。透過釋出的諜照可以發現，這款相機類似於 Nikon FM 底片機，機身沒有把手、有機械式轉盤，軍艦頂有皮革做為搭配，據悉會有銀、黑、棕三種配色。
新機會採用傳統的轉盤設計，強調操控性。（圖／翻攝 nikonrumors）
左為傳言出的 ZFC，右則是 Z50，可以發現 ZFC 沒有握柄，以及突出的軍艦頂和轉盤設計。（圖／翻攝 nikonrumors）
消息指出，該相機會是 Z 接口的 APS-C 規格，整體與當前的 Z50 接近，可能搭配 28mm f/2.8、35mm f/1.8 兩顆全新定焦鏡一起販售，鏡頭是 Z 系列的新產品，不會走復古路線。Kit 鏡組傳售價為 999 美元（約 27,600 元），可能在 6 月 28 日發表、7 月底正式上市。
拆封相機收購 拆封相機收購
拆封相機收購
Humans have a hard time letting go of the past. Sometimes it’s a good thing — nostalgia helps people fight loneliness and can even make them more tolerant. Other times it feels like a weakness, mostly because of how easily it gets exploited in the name of reunion tours and shows like Fuller House.
Profiting off these impulses isn’t exclusive to the entertainment industry — camera companies take advantage of nostalgia, too. 拆封相機收購olympus, Canon, Nikon, and Fujifilm have all spent the last few years drawing from their long camera legacies to to make their newest digital cameras look like their film forebears.
The next logical step, I wrote late last year, was for these companies to capitalize on this trend by resurrecting the iconic SLR film cameras like the the Canon AE-1. It seemed like an obvious move, especially for Canon and Nikon, to leverage our love for flagship film cameras — many of which were the first cameras some of us ever used — in order to make up ground in the burgeoning mirrorless camera market.
What I didn’t expect was that 拆封相機收購olympus would beat everyone to the punch. In January, the company announced the 拆封相機收購olympus Pen-F, and it was exactly what I predicted — a legacy film camera with digital guts, or what 拆封相機收購olympus calls a “digital update of the original Pen-F.” Like its competitors, the Pen-F juxtaposes classic looks and metal with things like digital screens and Wi-Fi connectivity. The difference is 拆封相機收購olympus’ new camera mixes the old and the new so well that, for a moment, I’m not too upset about that Legends of the Hidden Temple remake.
The original Pen-F is one of the company’s classic film cameras from the late 1960s. And like its predecessor, the new Pen-F is basically all metal. Aluminum and magnesium give the new Pen-F a sturdy, solid feel, and the cohesion is amplified by a lack of visible screws. Some companies — 拆封相機收購olympus included — have taken to throwing fake metal finishes on plastic bodies as a way of acquiring a retro look on the cheap, so this is a very welcome break from that. A belt of rubbery fake leather that stretches around the middle completes the look, and helps you grip the camera as well.
The Pen-F’s metal body looks beautiful and feels incredibly solid
拆封相機收購olympus also included a number of little homages to the film camera era throughout the design of the new Pen-F. The on/off switch looks like a film rewind lever, there’s a working cable release mechanism in the shutter button, and the AF assist light sits right where you’d expect to find a rangefinder, all adding to the the classic look.
The only regrettable thing about the Pen-F’s design is that it doesn’t look enough like the original Pen-F. The body of 拆封相機收購olympus’ old film Pen-F had a wide, low profile, and the metal top sloped very stylishly down from one side to the other. With 40 years of hindsight, the old Pen-F looks very much like an object from the ’60s. The digital Pen-F isn’t quite as radical and — if it weren’t for the 拆封相機收購olympus branding right above the lens mount — it could be easily mistaken for one of the many similar cameras Fujifilm has released in the last few years.
The big difference between this camera and the Fujifilms is that the Pen-F is just loaded with knobs, dials, and buttons. It’s the first thing you notice when you look at the Pen-F, and the appearance can be intimidating — but they’re not just for show. The dials are all metal, and each one features its own particular (and particularly satisfying) click so that you know, without looking, what it is you’re changing. That’s the real beauty of the Pen-F: it not only looks incredible, but it’s often a joy to use — as long as you’re willing to be patient.
Tons of customization, so patience is key
Like any good modern digital camera, the functions of these buttons and dials are nearly all customizable. You can reassign the two “function” buttons to perform specific tasks like changing the ISO or locking the exposure, or you can even change the purpose of the dials above your thumb and forefinger. 拆封相機收購olympus has also placed four different customization modes on the PASM dial, so you can quickly switch to a profile that’s best suited for low light shooting, or something more tailored for landscapes, for example. These days, 拆封相機收購olympus’ menu system is still too cluttered for its own good, but it’s worth going through all the work it requires because once you set the camera up to your liking you almost never have to dip back into the menus.
Setting the striking design aside, 拆封相機收購olympus promised the Pen-F would be packed with some of the features the company’s been developing on its flagship OM-D line of mirrorless cameras. Chief among them found on the Pen-F are things like 5-axis image stabilization, rapid-fire burst shooting, and a suite of preset color profiles, filters, and effects. 拆封相機收購olympus has also included a small but excellent 2.36 million dot electronic viewfinder, and a fully-articulating 3-inch LCD touchscreen.
These modern features make the Pen-F feel like a powerful camera for its size, but a few of them aren’t without drawbacks. The 5-axis stabilization makes it easier to shoot in low light or at long focal lengths, but it doesn’t feel as robust as the stabilization offered by some of the competition. On Sony’s newest cameras, the 5-axis stabilization feels like a superpower. On the Pen-F, it just feels like an aid.
The Pen-F can shoot stills at up to 20 frames per second using the electronic shutter. That kind of ludicrous sequential shooting is tempting, but at that speed you’re likely to see some warping, or “rolling shutter” in the corners of your images — a problem that is exacerbated because the image stabilization shuts off in high-speed modes. The “slower” modes (10 or 5 frames per second) use the mechanical shutter, but were still a bit frustrating: here, the camera locks the focus and exposure from first image onward. This all means you can’t move the camera much, or pan across dynamically-lit scenes during a burst of shooting, which is frustrating, because that’s when high sequential speeds are most helpful.
Even when you shoot at more modest speeds like five frames per second, the camera’s outdated contrast detection autofocus never feels up to the challenge of shooting moving subjects. Over the course of a few weeks with the Pen-F, I kept trying to force using it for street or documentary-style photography, but each time I found myself a bit let down. The Pen-F starts up fast and can quickly focus on a static subject, but ask it to do too much more and you can wind up frustrated.
The Pen-F, then, feels better suited for more contemplative photography. And considering the amount of customization afforded by the plethora of buttons and dials, you actually benefit from a slower approach with the Pen-F. I never hesitated to pick it up when I was shooting a portrait, or a landscape, or taking simple candid shots, and it was my go-to option during the week we spent in Barcelona for Mobile World Congress.
The new “creative dial,” which sits on the front of the camera, is a perfect example of this. (It’s one of the few direct callbacks to the design of the original Pen-F.) It has five modes, and the idea is it removes the need to dig through menus if you want to switch color profiles. If you think a scene is better suited for black and white photography, you can twist the dial over to “Mono,” or if you’d like to use one of 拆封相機收購olympus’ “art filters,” they’re right here, too. Fujifilm has taken to equipping its cameras with film simulation modes, and this is 拆封相機收購olympus’ way of playing to that same impulse. It sounds gimmicky, but I found myself using the dial more than I imagined.
The value with 拆封相機收購olympus’ take on this comes from the ability to tweak each mode to your liking. If you really like deep blacks in your monochrome images, you can make that the default when you switch to Mono. That’s the Pen-F at its best; with a little work, you can access loads of personalization at your fingertips without lifting your eye from the viewfinder.
All of this customization would be for naught if the camera didn’t produce great images. I worried that the smaller Micro Four Thirds sensor would leave me wanting more pixels, but 拆封相機收購olympus actually expanded the resolution to 20 megapixels with this sensor — up about 20 percent from the 16 megapixels afforded by its other cameras. It winds up capturing plenty enough detail for the images to look great on phones and even laptop screens, and even though the pixels are smaller, the Pen-F performs competently in low light thanks to the 5-axis stabilization.
There are still some unavoidable limitations of a Micro Four Thirds sensor that even the Pen-F can’t overcome, like not being able to reproduce the shallow depth of field that APS-C and full frame sensors provide. And, placed side by side with images taken by APS-C or full frame sensors, the quality of the Pen-F’s 20 megapixels doesn’t quite hold up. The video quality (yes, of course it shoots video) is also underwhelming. But the benefits of Micro Four Thirds remain: It’s light and easy to travel with, and 拆封相機收購olympus has built out an extensive lens ecosystem with some high quality glass.
Handheld with the shutter at 1/30th of a second and an ISO of 3200.
You could say a lot of these same things about the OM-D series, 拆封相機收購olympus’ more modern-looking Micro Four Thirds cameras, which gets to the real problem with the Pen-F. Buying the Pen-F over 拆封相機收購olympus’ other cameras is basically a choice based completely on aesthetics, and it’s one that will cost you. 拆封相機收購olympus is selling the Pen-F body for $1,199, which is a good $200-300 more than any of the OM-D cameras — and they come paired with a starter lens.
If you’re in love with the idea of a digital camera that looks, feels, and operates like a classic film camera, the Pen-F is one of the best ever made. And if you already own a number of 拆封相機收購olympus lenses, it has to be a tempting indulgence. For everyone else, it’s just the latest experiment in nostalgia — one that I hope 拆封相機收購olympus’ competitors are watching closely.
Photography by Sean O’Kane, lead photo by Amelia Krales
實習記者黃肇祥／綜合報導
iPhone X 今天正式開賣，除了昨晚在台北信義區就湧現不少排隊人潮，世界各地也充滿許多果迷紛紛排隊搶購 iPhone X，顯見其高達 35,900 台幣的售價並沒有嚇走死忠的果迷，對比 iPhone 8 的排隊人潮，或許蘋果靠著 iPhone X 再次打造新的排隊旋風。
▲許多果粉興奮地展示自己的iPhone X，儘管價位高但仍吸引大批民眾搶購。（圖／翻攝 Tim Cook 推特）
雪梨是全球第一個開賣的城市，早在 10 月 27 號就有人開始於門口卡位。Bishoy Behman 是第一位買到 iPhone X 民眾，他一口氣買了兩支 256GB 的機型，並且在走出店外之後，隨即向正在排隊的民眾兜售另外一支手機，他表示：「這是全新的 iPhone、新的世代，iPhone 8 並沒有這麼多功能。」
20 歲的軟體工程科系學生 Mazen Kourouche 則是全球第一位拿到 iPhone X 的果迷，早已預先於網路上預定 iPhone X，他更表示每年都會選擇升級自己的 iPhone，並計畫用新款手機來拍攝自己的 YouTube 影片，「新的規格和螢幕大小是最吸引我的地方，還有他全螢幕的設計，看起來非常不錯。」
▲台北信義區直擊今天凌晨湧現許多民眾排隊。（圖／記者洪聖壹攝）
蘋果手機在日本有相當大批的死忠粉絲，在東京矽谷都有大批的排隊人潮，至少橫跨兩條街道在排隊購買 iPhone X，兩天前就來排隊的 Iori Watanabe 是 500 人中排在最前頭的，今年 21 歲任職於相機公司 拆封相機收購olympus 的 Watanabe 表示，購買 iPhone X 主要是用來取代自己原先的 iPhone 5，對於全新的螢幕設計以及臉部辨識最感興趣。
至於北京三里屯 Apple Store 的排隊人潮則略輸日本，但科技網站《CNET》認為這可能與北京的 Apple Store 眾多分散人潮有關，仍有大批民眾熱情排隊等著購買 iPhone X，排在第一位的是 31 歲的 Lloyd Yu，他才剛入手最新的 iPhone 8 Plus，但身為資深果迷他仍想要繼續升級到 iPhone X，「我認為蘋果一切的設計都是最好的。」
拆封相機收購 拆封相機收購
拆封相機收購
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（圖翻攝OM System官網）
已有85年歷史的日本相機品牌拆封相機收購olympus，在去年把相機部門轉手賣給私募基金公司「日本產業夥伴」（JIP）後，目前由新公司OM Digital Solution 負責相機鏡頭產品線。
雖然今年仍有推出拆封相機收購olympus品牌的相機產品，不過，稍早官方於線上舉辦新品牌發表會的直播時，正式向外界宣告，未來將採用全新的「OM System」品牌名稱推出相機鏡頭新品，並預告正積極開發以M43（Micro 4/3）系統為主的相機領域。除透露新品將朝更輕量小巧的發展路線，同時也指出，針對影像軟體演算法技術的改善與精進，也是未來的發展主軸重點。
在這場直播活動上，也釋出目前正進入開發後期階段的M43新品，雖影片出現的機身剪影僅有短短數秒，不過可以看到似乎是旗艦級微單眼E-M1X 的後繼機款。
拆封相機收購 拆封相機收購
拆封相機收購
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This week, Amazon completed the second phase of a deal announced last September, when it committed to investing up to $4 billion in OpenAI rival Anthropic. The additional $2.75 billion invested is Amazon’s largest check ever into another company and yet another signal of how critical the development of large language models has become to Big Tech.
The logic is simple: Amazon needs to offer models through AWS that compete with the OpenAI-powered offerings of its arch cloud rival, Microsoft, and Anthropic is the best alternative that exists. If we rewound the clock back to when Big Tech could make large acquisitions without them being blocked by regulators, I’m sure Amazon would have tried to buy Anthropic outright.
Instead, it’s passively investing billions of dollars and telegraphing that it only has a minority stake with no board seat. Conveniently for Amazon, Anthropic has meanwhile agreed to spend $4 billion on AWS over the next several years.
This story is exclusively for subscribers of Command Line, our newsletter about the tech industry’s inside conversation. Subscribe to a plan below for full access.
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圖、文／NOVA情報誌
選對單眼 素人變職人！
無反全片幅 攝界新型男
高階相機發大絕，要用更隨拍隨美犀利天賦，極速連拍追焦&專業操控性能手感，讓你輕鬆成為攝影好手！
驚！妳說啥，青春不留白，要留下美好瞬間與精彩回憶感動，到底要選成熟男？型男？還是小鮮肉？（驚）我說這位小姐，本人好歹也是正港男子漢，在我面前談這會不會太跨張不給面子，要不要多加一些條件，例如體格強壯、經驗老道、超猛速度、新潮技術、絕佳手感？還是價格實在，中看中用，長短需求都滿足！想不到妳一臉文青正經樣，骨子裡居然這麼好色！
（三條線）對、我就是好攝，是「攝」影的攝，最近正想選購一台隨拍隨美的高階相機，但不知該選哪類型，傷腦筋中？你該不會以為我？骯髒、思想邪惡，就叫你不要看太多安博1818…！（糗）好啦，為了贖罪份上，立馬帶你走訪通路與尋訪原廠，來個單眼名人榜總體檢，好讓你錢花刀口上，一機在手，素人變專業攝手喔！
無反全片幅 高階新主流
目前坊間數位單眼市場大致劃分三大類型：傳統大單「單反DSLR」發展最早，畫質與技術成熟，擁有30年以上龐大鏡頭資產，可比喻為熟男。新興「無反全片幅EVIL」，有搶眼外表又有內在，畫質技術不輸單反，我們比喻為型男。而體態輕盈小巧的「無反小微單」，容易帶它上山下海，外貌出眾且CP值高，很多女性朋友都喜歡，則比喻為小鮮肉。
這三大類型機「熟男、型男、小鮮肉」，各有各擁護者與需求定位，然而近期又以「型男機」鋒頭最健，話題連連！
除佈局已久的Sony外，光學大廠Nikon、Canon陸續在9月接連跨入這「無反全片幅」領域，各家戰將藉由大型CMOS感光獨特系統，高解析極短法蘭距鏡頭技術，新一代強悍處理引擎與五軸防手震、超高速對焦拍攝性能等，儼然已取代「單反」，可充分因應時下追求高畫質影像的高階玩家與攝影師需求。尤其藉由無反光鏡架構，讓體積相對小，提供更優攜帶，因此更視為未來高階單眼新主流！
重點新款「無反全片幅」還改善過去種種罩門！因無反光鏡架構只能採「EVF電子觀景窗」，缺點取景時容易產生時滯延遲，好消息是目前新機幾乎做到同步；最令人詬病的電力問題，相較「單反」拍攝張數可說腰斬再腰斬，但今年各家新機開始漸漸克服，單顆電池已能來到700張拍攝張數，加上手感與操控設計愈來愈專業科技，讓其關注度與氣勢不斷攀升，蓬勃可期！
至於在業界走跳多年的老大哥「單反」，擁有無可比擬鏡頭群與最佳操控魅力，機身塊頭大，但按鍵眾多、握持穩健，光學觀景窗取景直覺，尤其高解析畫質、全焦段&景深拍攝彈性與整體性能表現平均，依舊是商業攝影師與專業拍攝者的第一指名，地位仍穩固。
高速連拍準確追焦 4K卓越錄影
在性能上，今年高階相機持續在高速連拍、對焦速度與追焦範圍上大幅突破，更滿足一些需要速度與準確對焦的婚禮，或移動物體偵測追焦情境，運動路跑記錄與好動小孩Q萌表情瞬間捕捉等拍攝；甚至旗艦款還做到驚人的每秒20張、30張無黑屏連拍，超密集相位式＋對比式對焦多點對焦系統，並涵蓋90%以上寬廣AF區域範圍，且在既有臉部辨識下紛紛新增眼睛偵測對焦，讓使用者能輕鬆拍出清晰臉孔與炯炯有眼完美人像。
伴隨新一代更強運算處理引擎，「4K錄影」亦全面到為，成為各家新機標的重點之一，且持續在解析「流暢度」與畫面「質量」上強化競逐。在基本的4K /30Fps每秒30格錄影品質下，市場已出現內建4K每秒60格先進技術悍機，讓錄製畫面流暢度表現更好，甚至有的品牌強調支援4K HDR錄影規格，能對應4K HDR電視，表現出高色彩與豐富對比細節；有的標榜10 Bit寬廣色域錄製，並導入峰值對焦與超小光圈曝光模式，讓錄影畫面&亮度專業平穩。對於想記錄小孩成長點滴，或是工作上有特別錄影需求的部落客與YouTuber，不妨多關注各家特色。
輕巧隨身美自拍 分享即時聰明購
另外定位中階&入門「無反小微單」，一來體型袖珍，隨身攜帶方便，且提供進階專業拍攝功能，重點透過180度自拍螢幕與美肌功能技術，外觀品味出眾，色系選擇性多，價格親民上入手，入門機含Kit鏡約僅２萬上下，滿足隨拍隨美年輕女性、旅遊人士部落客與文青掛需求。
當拍出好照片或值得珍藏影像，想即時分享社群，目前各家多內建無線WiFi，能即時與手機連線傳輸照片，尤其已有愈來愈多品牌增添新藍牙傳輸技術，讓相機拍完照可「自動同步」傳輸手機，讓分享變得更簡易！
「面對這些種類機種該如何聰明選購呢？」首先考量自我拍攝需求與預算；初入門的使用者，建議先選簡易操作機種，若是進階攝影或想轉換品牌，再從自己習慣拍攝的焦段與題材來挑選。譬如主要紀錄小孩成長、寵物或運動追焦生態系，建議選兼顧高速連拍與精準對焦款式；注重人像拍攝、文青旅遊或女性自拍，挑選大光圈或配有美肌功能輕巧隨身型；用來進行專業婚紗或攝影師第二台隨身機，則以高畫質大單或無反全片幅為優先考量。鏡頭部分，則從標準Kit一機一鏡或雙鏡組入門即可，後續當熟悉鏡頭焦段特性與極限，再視需求選購定焦人像鏡或長焦鏡。最後不要忘了維護保養，當拍攝回家後務必進行擦拭，盡可能放入防潮箱保存，如此才能長久陪伴。
各類單眼布局完整，主打高畫質與DAF自動對焦技術的Canon，首推新上市EOS R無反全片幅系統機，並標榜四大優勢！包含3030萬像素CMOS，全新54mm大口徑RF接環&20mm法蘭距，訴求專業高解析與機身耐用度，電子接環更設計12Pin，同時導入超高速精準DAF雙像素對焦與新一代DIGIC 8處理器，帶來業界最快0.05秒極速對焦與超細微5655點對焦點，並支援4K錄影與1/8級光圈調整等實用功能。特別是除鏡頭上設有功能控制環，機身上還新增系列機首見「多功能觸控Bar」，大幅提升操控性，電力續航亦達700張數。
Sony主推高人氣熱賣的無反全片幅單眼機α7 III，搭載背照式Exmor R CMOS感光元件與優化版BIONZ X處理器，低光源表現突出，並承襲旗艦款好評的693點相位式偵測＋425點自動對焦系統，覆蓋達93%影像範圍，且提供每秒10張全靜音無黑屏拍攝，高速運作下持續能準確追蹤，內建4K HDR錄影與S-Log 2/3技術模式，讓白天/夜晚錄影皆保留豐富暗部細節，整體表現性價比高、用途廣，鎖定頂規攝影玩家與婚禮錄影。
Nikon近期發表首款無反全片幅系統Z7，主打多項創新技術，包含全新特大55mm卡口接環，業界無反機中最短的16mm法蘭距。口徑大，優點進光量大，能對應新開發的F 0.95超大光圈鏡頭；法蘭距離短，可減少色差，帶來更優異光學瓶頸表現；同時搭載4570萬高解析像素，493點PDAF對焦位置，最新六代EXPEED 6影像處理器，5級5軸防手震與4K錄影，同時保留DSLR般絕佳手感與防塵防滴耐候性。
Fujifilm首推革命性高畫質APS-C新機X-T3，搭載最新四代X-Trans CMOS 4感應器＋X Processor 4處理引擎，大幅提升成像解析度、低噪點與ISO160起始原生感光度，尤其運算度速較提升3倍，帶來傲視業界的4K/60P 10bit每秒60格錄影性能。同時預告尺寸比全片幅更大的「中片幅」新機GFX-50R近期將引進，屆時拍攝表現與價格都會讓人驚艷！
拆封相機收購olympus主打旗艦OM-D EM1 MarkII，機身內建五軸防手震，八代強悍TruePic VIII 影像處理引擎，帶來業界頂尖RAW檔18張連拍，主打高速生態與運動攝影拍攝，特別是獨家Pro Capture回溯模式，快門按下瞬間能回溯前14張影像，不錯過蜂鳥飛出瞬間最佳畫面，並有4K錄影功能。
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拆封相機收購 拆封相機收購
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