收購相機及鏡頭 您用不到相機鏡頭 不論新舊，都可以換現金 陪您走過每個黃金歲月的年頭，現在因為家庭或工作總總因素，這些可愛的相機及鏡頭寶貝們，除了躺在倉庫，安靜在防潮箱等候主人帶它們出勤之外，應該可以有個兩全其美的辦法＂就是讓給有緣人＂，讓它再度發揮存在地球上的價值吧！
拆封相機收購
（圖／拆封相機收購olympus 提供）
拆封相機收購olympus 相機部門在遭到出售後，今日（6/9）終於發表第一款新品，推出主打簡約、復古設計的 PEN E-P7 微型單眼相機，有招牌的 5 軸機身防震與 2,000 萬像素 Live MOS 感光元件。
PEN E-P7 是繼 2013 年的 E-P3 後 PEN 系列的新品，傳承設計師米谷美久（Yoshihisa Maitani）簡約和個性的設計理念，前後轉盤皆以鋁金屬加工而成，機身淨重298g〔3〕，搭配標準變焦鏡頭 M.Zuiko Digital ED 14-42mm F3.5-5.6 EZ 組合總重量約為 430g，共有「經典銀黑」與「簡約銀白」雙色可供選擇。
機身前方設有創意撥桿，可以切換為一般拍攝模式和彩色／單色配置控制模式。利用可微調 12 種顏色中，調校各自的飽和度、陰影、高光和陰影的「彩色配置控制」，以及黑白攝影的「單色配置控制」，彩色／單色配置控各自包含 4 個配置檔，使用者可以根據自己的喜好更改每個配置檔的預設值後儲存使用。
（圖／拆封相機收購olympus 提供）
在 PEN E-P7內有更多藝術濾鏡支援微調功能，除了原有的「濃化色調效果」和「柔焦效果」外，還有新加入的「針孔相機效果」、「負片沖印效果」及「即影即有菲林效果」，只需在觸控螢幕上移動推桿，即可自由調校至心儀的效果。
規格方面是搭載 2,000 萬像素 Live MOS 感光元件，和 TruePic VIII 影像處理器，內置 5 軸機身防震系統，擁有高達 4.5 級快門速度補償效果，即使在光線昏暗的環境下進行抓拍。相機亦內置高階機款的「進階臉孔優先／眼部優先」自動對焦功能，就算面對昔日難以進行臉孔偵測的場景，也可以穩定地將焦點鎖定在主體的臉上。
有關詳細售價、上市資訊，仍待台灣官方後續公開。
我們想讓你知道…操控也更直覺了！
記者莊友直／台北報導
經歷先前的傳聞後，拆封相機收購olympus 終在今（8/31）日推出睽違 2 年的入門微單眼 E-M10 III，整體外型仍維持前代復古規格；但諸多操作性能有微調、令其更符合初學者外，也導入來自 E-M1 II 的影像處理器與對焦系統，可說是超大升級！
E-M10 III 外型設計雖然與前代有些類似，但正面的握把有做加厚處理，更好握持外；機頂的按鍵也有做微調，像是右上曲線改為放大檢視外，左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪，不像前代面積來的那麼大，視覺效果感覺有些偷工。
▼機身正面可發現 E-M10 III 握把變得更厚實，不過機頂的操控轉盤止滑設計並無整個覆蓋，感覺有點偷工 。（圖／翻攝自官網）
▼機頂按鍵配置較前代有些微調，右上方曲線改為放大檢視，左下的 Fn3 則是變成能叫出拍攝選單的快捷鍵。（圖／翻攝自官網）
拍攝效能部分，E-M10 III 搭載與前代相同的 1,600 萬畫素 Live MOS M4/3 感光元件，卻導入機皇 E-M1 II 的 TurePic VIII 影像處理器，讓感光度可至 ISO200-25,600 外，連拍反應也從 8.4fps 增加至 8.6fps，且終於支援光學防手震下連拍了；不過 E-M10 III 五軸防手震仍是 4 級補償，沒有獲得下放，也算是入門機的宿命吧。
▼機背配置 3 吋 102 點畫素上掀觸控螢幕（不可自拍），整體按鍵配置與前代差別不大。（圖／翻攝自官網）
其他機能上，E-M10 III 具備 4K@30fps（無限時間，前代為 30 分鐘）、FHD@60fps，以及 HD@120fps 的高速錄影，也多了短片編輯功能；另外，針對初學者的操控機能上，E-M10 III 也大幅更改介面，不僅將 4K 影片獨立到錄影區塊，也有一區專業攝影模式 AP，內含曲線、重複曝光等不同拍攝模式。
▼在拍攝機能上。E-M10 III 不僅導入 E-M1 II 機皇的對焦與影像處理器，針對入門初學者也有更直覺的拍攝模式。（圖／翻攝自官網）
E-M10 III 海外預計 9 月底上市，單機身售價 649.99 美金，約合台幣 19,741 元，至於 14-42mm Kit 組則是 799.99 美金，約 24,297 台幣，台灣上市情報目前未定。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器（同 E-M1）
・外型設計維持二代設計，前方握把加厚提升握感
・機頂按鍵微調，左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀觸控螢幕（不可自拍）
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s（機械），電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps（II 代為 8.4fps）
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格，新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm，重約 410g（含電池、記憶卡）
拆封相機收購 拆封相機收購
拆封相機收購
Humans have a hard time letting go of the past. Sometimes it’s a good thing — nostalgia helps people fight loneliness and can even make them more tolerant. Other times it feels like a weakness, mostly because of how easily it gets exploited in the name of reunion tours and shows like Fuller House.
Profiting off these impulses isn’t exclusive to the entertainment industry — camera companies take advantage of nostalgia, too. 拆封相機收購olympus, Canon, Nikon, and Fujifilm have all spent the last few years drawing from their long camera legacies to to make their newest digital cameras look like their film forebears.
The next logical step, I wrote late last year, was for these companies to capitalize on this trend by resurrecting the iconic SLR film cameras like the the Canon AE-1. It seemed like an obvious move, especially for Canon and Nikon, to leverage our love for flagship film cameras — many of which were the first cameras some of us ever used — in order to make up ground in the burgeoning mirrorless camera market.
What I didn’t expect was that 拆封相機收購olympus would beat everyone to the punch. In January, the company announced the 拆封相機收購olympus Pen-F, and it was exactly what I predicted — a legacy film camera with digital guts, or what 拆封相機收購olympus calls a “digital update of the original Pen-F.” Like its competitors, the Pen-F juxtaposes classic looks and metal with things like digital screens and Wi-Fi connectivity. The difference is 拆封相機收購olympus’ new camera mixes the old and the new so well that, for a moment, I’m not too upset about that Legends of the Hidden Temple remake.
The original Pen-F is one of the company’s classic film cameras from the late 1960s. And like its predecessor, the new Pen-F is basically all metal. Aluminum and magnesium give the new Pen-F a sturdy, solid feel, and the cohesion is amplified by a lack of visible screws. Some companies — 拆封相機收購olympus included — have taken to throwing fake metal finishes on plastic bodies as a way of acquiring a retro look on the cheap, so this is a very welcome break from that. A belt of rubbery fake leather that stretches around the middle completes the look, and helps you grip the camera as well.
The Pen-F’s metal body looks beautiful and feels incredibly solid
拆封相機收購olympus also included a number of little homages to the film camera era throughout the design of the new Pen-F. The on/off switch looks like a film rewind lever, there’s a working cable release mechanism in the shutter button, and the AF assist light sits right where you’d expect to find a rangefinder, all adding to the the classic look.
The only regrettable thing about the Pen-F’s design is that it doesn’t look enough like the original Pen-F. The body of 拆封相機收購olympus’ old film Pen-F had a wide, low profile, and the metal top sloped very stylishly down from one side to the other. With 40 years of hindsight, the old Pen-F looks very much like an object from the ’60s. The digital Pen-F isn’t quite as radical and — if it weren’t for the 拆封相機收購olympus branding right above the lens mount — it could be easily mistaken for one of the many similar cameras Fujifilm has released in the last few years.
The big difference between this camera and the Fujifilms is that the Pen-F is just loaded with knobs, dials, and buttons. It’s the first thing you notice when you look at the Pen-F, and the appearance can be intimidating — but they’re not just for show. The dials are all metal, and each one features its own particular (and particularly satisfying) click so that you know, without looking, what it is you’re changing. That’s the real beauty of the Pen-F: it not only looks incredible, but it’s often a joy to use — as long as you’re willing to be patient.
Tons of customization, so patience is key
Like any good modern digital camera, the functions of these buttons and dials are nearly all customizable. You can reassign the two “function” buttons to perform specific tasks like changing the ISO or locking the exposure, or you can even change the purpose of the dials above your thumb and forefinger. 拆封相機收購olympus has also placed four different customization modes on the PASM dial, so you can quickly switch to a profile that’s best suited for low light shooting, or something more tailored for landscapes, for example. These days, 拆封相機收購olympus’ menu system is still too cluttered for its own good, but it’s worth going through all the work it requires because once you set the camera up to your liking you almost never have to dip back into the menus.
Setting the striking design aside, 拆封相機收購olympus promised the Pen-F would be packed with some of the features the company’s been developing on its flagship OM-D line of mirrorless cameras. Chief among them found on the Pen-F are things like 5-axis image stabilization, rapid-fire burst shooting, and a suite of preset color profiles, filters, and effects. 拆封相機收購olympus has also included a small but excellent 2.36 million dot electronic viewfinder, and a fully-articulating 3-inch LCD touchscreen.
These modern features make the Pen-F feel like a powerful camera for its size, but a few of them aren’t without drawbacks. The 5-axis stabilization makes it easier to shoot in low light or at long focal lengths, but it doesn’t feel as robust as the stabilization offered by some of the competition. On Sony’s newest cameras, the 5-axis stabilization feels like a superpower. On the Pen-F, it just feels like an aid.
The Pen-F can shoot stills at up to 20 frames per second using the electronic shutter. That kind of ludicrous sequential shooting is tempting, but at that speed you’re likely to see some warping, or “rolling shutter” in the corners of your images — a problem that is exacerbated because the image stabilization shuts off in high-speed modes. The “slower” modes (10 or 5 frames per second) use the mechanical shutter, but were still a bit frustrating: here, the camera locks the focus and exposure from first image onward. This all means you can’t move the camera much, or pan across dynamically-lit scenes during a burst of shooting, which is frustrating, because that’s when high sequential speeds are most helpful.
Even when you shoot at more modest speeds like five frames per second, the camera’s outdated contrast detection autofocus never feels up to the challenge of shooting moving subjects. Over the course of a few weeks with the Pen-F, I kept trying to force using it for street or documentary-style photography, but each time I found myself a bit let down. The Pen-F starts up fast and can quickly focus on a static subject, but ask it to do too much more and you can wind up frustrated.
The Pen-F, then, feels better suited for more contemplative photography. And considering the amount of customization afforded by the plethora of buttons and dials, you actually benefit from a slower approach with the Pen-F. I never hesitated to pick it up when I was shooting a portrait, or a landscape, or taking simple candid shots, and it was my go-to option during the week we spent in Barcelona for Mobile World Congress.
The new “creative dial,” which sits on the front of the camera, is a perfect example of this. (It’s one of the few direct callbacks to the design of the original Pen-F.) It has five modes, and the idea is it removes the need to dig through menus if you want to switch color profiles. If you think a scene is better suited for black and white photography, you can twist the dial over to “Mono,” or if you’d like to use one of 拆封相機收購olympus’ “art filters,” they’re right here, too. Fujifilm has taken to equipping its cameras with film simulation modes, and this is 拆封相機收購olympus’ way of playing to that same impulse. It sounds gimmicky, but I found myself using the dial more than I imagined. 
The value with 拆封相機收購olympus’ take on this comes from the ability to tweak each mode to your liking. If you really like deep blacks in your monochrome images, you can make that the default when you switch to Mono. That’s the Pen-F at its best; with a little work, you can access loads of personalization at your fingertips without lifting your eye from the viewfinder.
All of this customization would be for naught if the camera didn’t produce great images. I worried that the smaller Micro Four Thirds sensor would leave me wanting more pixels, but 拆封相機收購olympus actually expanded the resolution to 20 megapixels with this sensor — up about 20 percent from the 16 megapixels afforded by its other cameras. It winds up capturing plenty enough detail for the images to look great on phones and even laptop screens, and even though the pixels are smaller, the Pen-F performs competently in low light thanks to the 5-axis stabilization.
There are still some unavoidable limitations of a Micro Four Thirds sensor that even the Pen-F can’t overcome, like not being able to reproduce the shallow depth of field that APS-C and full frame sensors provide. And, placed side by side with images taken by APS-C or full frame sensors, the quality of the Pen-F’s 20 megapixels doesn’t quite hold up. The video quality (yes, of course it shoots video) is also underwhelming. But the benefits of Micro Four Thirds remain: It’s light and easy to travel with, and 拆封相機收購olympus has built out an extensive lens ecosystem with some high quality glass.
Handheld with the shutter at 1/30th of a second and an ISO of 3200.
You could say a lot of these same things about the OM-D series, 拆封相機收購olympus’ more modern-looking Micro Four Thirds cameras, which gets to the real problem with the Pen-F. Buying the Pen-F over 拆封相機收購olympus’ other cameras is basically a choice based completely on aesthetics, and it’s one that will cost you. 拆封相機收購olympus is selling the Pen-F body for $1,199, which is a good $200-300 more than any of the OM-D cameras — and they come paired with a starter lens.
If you’re in love with the idea of a digital camera that looks, feels, and operates like a classic film camera, the Pen-F is one of the best ever made. And if you already own a number of 拆封相機收購olympus lenses, it has to be a tempting indulgence. For everyone else, it’s just the latest experiment in nostalgia — one that I hope 拆封相機收購olympus’ competitors are watching closely.
Photography by Sean O’Kane, lead photo by Amelia Krales
此為 Nikon 首款 APS-C 片幅的無反相機 Z50。（圖／記者黃肇祥攝）
面臨 Canon、Sony 以及富士等品牌夾擊，Nikon 近年銷量急速下滑，儘管 Z 系列相機頗受好評，新機登場速度卻仍不及競爭對手。最新傳言指出，Nikon 接下來要打出「復古」牌，推出無反版本的 DF 相機。
根據《NikonRumors》爆料，Nikon 新機將不會是沿用數字作為代碼，可能被稱為「Zfc」，定位類似於 2013 年的 Nikon DF，以經典、復古的設計為賣點。透過釋出的諜照可以發現，這款相機類似於 Nikon FM 底片機，機身沒有把手、有機械式轉盤，軍艦頂有皮革做為搭配，據悉會有銀、黑、棕三種配色。
新機會採用傳統的轉盤設計，強調操控性。（圖／翻攝 nikonrumors）
左為傳言出的 ZFC，右則是 Z50，可以發現 ZFC 沒有握柄，以及突出的軍艦頂和轉盤設計。（圖／翻攝 nikonrumors）
消息指出，該相機會是 Z 接口的 APS-C 規格，整體與當前的 Z50 接近，可能搭配 28mm f/2.8、35mm f/1.8 兩顆全新定焦鏡一起販售，鏡頭是 Z 系列的新產品，不會走復古路線。Kit 鏡組傳售價為 999 美元（約 27,600 元），可能在 6 月 28 日發表、7 月底正式上市。
拆封相機收購 拆封相機收購
拆封相機收購
Humans have a hard time letting go of the past. Sometimes it’s a good thing — nostalgia helps people fight loneliness and can even make them more tolerant. Other times it feels like a weakness, mostly because of how easily it gets exploited in the name of reunion tours and shows like Fuller House.
Profiting off these impulses isn’t exclusive to the entertainment industry — camera companies take advantage of nostalgia, too. 拆封相機收購olympus, Canon, Nikon, and Fujifilm have all spent the last few years drawing from their long camera legacies to to make their newest digital cameras look like their film forebears.
The next logical step, I wrote late last year, was for these companies to capitalize on this trend by resurrecting the iconic SLR film cameras like the the Canon AE-1. It seemed like an obvious move, especially for Canon and Nikon, to leverage our love for flagship film cameras — many of which were the first cameras some of us ever used — in order to make up ground in the burgeoning mirrorless camera market.
What I didn’t expect was that 拆封相機收購olympus would beat everyone to the punch. In January, the company announced the 拆封相機收購olympus Pen-F, and it was exactly what I predicted — a legacy film camera with digital guts, or what 拆封相機收購olympus calls a “digital update of the original Pen-F.” Like its competitors, the Pen-F juxtaposes classic looks and metal with things like digital screens and Wi-Fi connectivity. The difference is 拆封相機收購olympus’ new camera mixes the old and the new so well that, for a moment, I’m not too upset about that Legends of the Hidden Temple remake.
The original Pen-F is one of the company’s classic film cameras from the late 1960s. And like its predecessor, the new Pen-F is basically all metal. Aluminum and magnesium give the new Pen-F a sturdy, solid feel, and the cohesion is amplified by a lack of visible screws. Some companies — 拆封相機收購olympus included — have taken to throwing fake metal finishes on plastic bodies as a way of acquiring a retro look on the cheap, so this is a very welcome break from that. A belt of rubbery fake leather that stretches around the middle completes the look, and helps you grip the camera as well.
The Pen-F’s metal body looks beautiful and feels incredibly solid
拆封相機收購olympus also included a number of little homages to the film camera era throughout the design of the new Pen-F. The on/off switch looks like a film rewind lever, there’s a working cable release mechanism in the shutter button, and the AF assist light sits right where you’d expect to find a rangefinder, all adding to the the classic look.
The only regrettable thing about the Pen-F’s design is that it doesn’t look enough like the original Pen-F. The body of 拆封相機收購olympus’ old film Pen-F had a wide, low profile, and the metal top sloped very stylishly down from one side to the other. With 40 years of hindsight, the old Pen-F looks very much like an object from the ’60s. The digital Pen-F isn’t quite as radical and — if it weren’t for the 拆封相機收購olympus branding right above the lens mount — it could be easily mistaken for one of the many similar cameras Fujifilm has released in the last few years.
The big difference between this camera and the Fujifilms is that the Pen-F is just loaded with knobs, dials, and buttons. It’s the first thing you notice when you look at the Pen-F, and the appearance can be intimidating — but they’re not just for show. The dials are all metal, and each one features its own particular (and particularly satisfying) click so that you know, without looking, what it is you’re changing. That’s the real beauty of the Pen-F: it not only looks incredible, but it’s often a joy to use — as long as you’re willing to be patient.
Tons of customization, so patience is key
Like any good modern digital camera, the functions of these buttons and dials are nearly all customizable. You can reassign the two “function” buttons to perform specific tasks like changing the ISO or locking the exposure, or you can even change the purpose of the dials above your thumb and forefinger. 拆封相機收購olympus has also placed four different customization modes on the PASM dial, so you can quickly switch to a profile that’s best suited for low light shooting, or something more tailored for landscapes, for example. These days, 拆封相機收購olympus’ menu system is still too cluttered for its own good, but it’s worth going through all the work it requires because once you set the camera up to your liking you almost never have to dip back into the menus.
Setting the striking design aside, 拆封相機收購olympus promised the Pen-F would be packed with some of the features the company’s been developing on its flagship OM-D line of mirrorless cameras. Chief among them found on the Pen-F are things like 5-axis image stabilization, rapid-fire burst shooting, and a suite of preset color profiles, filters, and effects. 拆封相機收購olympus has also included a small but excellent 2.36 million dot electronic viewfinder, and a fully-articulating 3-inch LCD touchscreen.
These modern features make the Pen-F feel like a powerful camera for its size, but a few of them aren’t without drawbacks. The 5-axis stabilization makes it easier to shoot in low light or at long focal lengths, but it doesn’t feel as robust as the stabilization offered by some of the competition. On Sony’s newest cameras, the 5-axis stabilization feels like a superpower. On the Pen-F, it just feels like an aid.
The Pen-F can shoot stills at up to 20 frames per second using the electronic shutter. That kind of ludicrous sequential shooting is tempting, but at that speed you’re likely to see some warping, or “rolling shutter” in the corners of your images — a problem that is exacerbated because the image stabilization shuts off in high-speed modes. The “slower” modes (10 or 5 frames per second) use the mechanical shutter, but were still a bit frustrating: here, the camera locks the focus and exposure from first image onward. This all means you can’t move the camera much, or pan across dynamically-lit scenes during a burst of shooting, which is frustrating, because that’s when high sequential speeds are most helpful.
Even when you shoot at more modest speeds like five frames per second, the camera’s outdated contrast detection autofocus never feels up to the challenge of shooting moving subjects. Over the course of a few weeks with the Pen-F, I kept trying to force using it for street or documentary-style photography, but each time I found myself a bit let down. The Pen-F starts up fast and can quickly focus on a static subject, but ask it to do too much more and you can wind up frustrated.
The Pen-F, then, feels better suited for more contemplative photography. And considering the amount of customization afforded by the plethora of buttons and dials, you actually benefit from a slower approach with the Pen-F. I never hesitated to pick it up when I was shooting a portrait, or a landscape, or taking simple candid shots, and it was my go-to option during the week we spent in Barcelona for Mobile World Congress.
The new “creative dial,” which sits on the front of the camera, is a perfect example of this. (It’s one of the few direct callbacks to the design of the original Pen-F.) It has five modes, and the idea is it removes the need to dig through menus if you want to switch color profiles. If you think a scene is better suited for black and white photography, you can twist the dial over to “Mono,” or if you’d like to use one of 拆封相機收購olympus’ “art filters,” they’re right here, too. Fujifilm has taken to equipping its cameras with film simulation modes, and this is 拆封相機收購olympus’ way of playing to that same impulse. It sounds gimmicky, but I found myself using the dial more than I imagined.
The value with 拆封相機收購olympus’ take on this comes from the ability to tweak each mode to your liking. If you really like deep blacks in your monochrome images, you can make that the default when you switch to Mono. That’s the Pen-F at its best; with a little work, you can access loads of personalization at your fingertips without lifting your eye from the viewfinder.
All of this customization would be for naught if the camera didn’t produce great images. I worried that the smaller Micro Four Thirds sensor would leave me wanting more pixels, but 拆封相機收購olympus actually expanded the resolution to 20 megapixels with this sensor — up about 20 percent from the 16 megapixels afforded by its other cameras. It winds up capturing plenty enough detail for the images to look great on phones and even laptop screens, and even though the pixels are smaller, the Pen-F performs competently in low light thanks to the 5-axis stabilization.
There are still some unavoidable limitations of a Micro Four Thirds sensor that even the Pen-F can’t overcome, like not being able to reproduce the shallow depth of field that APS-C and full frame sensors provide. And, placed side by side with images taken by APS-C or full frame sensors, the quality of the Pen-F’s 20 megapixels doesn’t quite hold up. The video quality (yes, of course it shoots video) is also underwhelming. But the benefits of Micro Four Thirds remain: It’s light and easy to travel with, and 拆封相機收購olympus has built out an extensive lens ecosystem with some high quality glass.
Handheld with the shutter at 1/30th of a second and an ISO of 3200.
You could say a lot of these same things about the OM-D series, 拆封相機收購olympus’ more modern-looking Micro Four Thirds cameras, which gets to the real problem with the Pen-F. Buying the Pen-F over 拆封相機收購olympus’ other cameras is basically a choice based completely on aesthetics, and it’s one that will cost you. 拆封相機收購olympus is selling the Pen-F body for $1,199, which is a good $200-300 more than any of the OM-D cameras — and they come paired with a starter lens.
If you’re in love with the idea of a digital camera that looks, feels, and operates like a classic film camera, the Pen-F is one of the best ever made. And if you already own a number of 拆封相機收購olympus lenses, it has to be a tempting indulgence. For everyone else, it’s just the latest experiment in nostalgia — one that I hope 拆封相機收購olympus’ competitors are watching closely.
Photography by Sean O’Kane, lead photo by Amelia Krales
實習記者黃肇祥／綜合報導
iPhone X 今天正式開賣，除了昨晚在台北信義區就湧現不少排隊人潮，世界各地也充滿許多果迷紛紛排隊搶購 iPhone X，顯見其高達 35,900 台幣的售價並沒有嚇走死忠的果迷，對比 iPhone 8 的排隊人潮，或許蘋果靠著 iPhone X 再次打造新的排隊旋風。
▲許多果粉興奮地展示自己的iPhone X，儘管價位高但仍吸引大批民眾搶購。（圖／翻攝 Tim Cook 推特）
雪梨是全球第一個開賣的城市，早在 10 月 27 號就有人開始於門口卡位。Bishoy Behman 是第一位買到 iPhone X 民眾，他一口氣買了兩支 256GB 的機型，並且在走出店外之後，隨即向正在排隊的民眾兜售另外一支手機，他表示：「這是全新的 iPhone、新的世代，iPhone 8 並沒有這麼多功能。」
20 歲的軟體工程科系學生 Mazen Kourouche 則是全球第一位拿到 iPhone X 的果迷，早已預先於網路上預定 iPhone X，他更表示每年都會選擇升級自己的 iPhone，並計畫用新款手機來拍攝自己的 YouTube 影片，「新的規格和螢幕大小是最吸引我的地方，還有他全螢幕的設計，看起來非常不錯。」
▲台北信義區直擊今天凌晨湧現許多民眾排隊。（圖／記者洪聖壹攝）
蘋果手機在日本有相當大批的死忠粉絲，在東京矽谷都有大批的排隊人潮，至少橫跨兩條街道在排隊購買 iPhone X，兩天前就來排隊的 Iori Watanabe 是 500 人中排在最前頭的，今年 21 歲任職於相機公司 拆封相機收購olympus 的 Watanabe 表示，購買 iPhone X 主要是用來取代自己原先的 iPhone 5，對於全新的螢幕設計以及臉部辨識最感興趣。
至於北京三里屯 Apple Store 的排隊人潮則略輸日本，但科技網站《CNET》認為這可能與北京的 Apple Store 眾多分散人潮有關，仍有大批民眾熱情排隊等著購買 iPhone X，排在第一位的是 31 歲的 Lloyd Yu，他才剛入手最新的 iPhone 8 Plus，但身為資深果迷他仍想要繼續升級到 iPhone X，「我認為蘋果一切的設計都是最好的。」
拆封相機收購 拆封相機收購
拆封相機收購
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（圖翻攝OM System官網）
已有85年歷史的日本相機品牌拆封相機收購olympus，在去年把相機部門轉手賣給私募基金公司「日本產業夥伴」（JIP）後，目前由新公司OM Digital Solution 負責相機鏡頭產品線。
雖然今年仍有推出拆封相機收購olympus品牌的相機產品，不過，稍早官方於線上舉辦新品牌發表會的直播時，正式向外界宣告，未來將採用全新的「OM System」品牌名稱推出相機鏡頭新品，並預告正積極開發以M43（Micro 4/3）系統為主的相機領域。除透露新品將朝更輕量小巧的發展路線，同時也指出，針對影像軟體演算法技術的改善與精進，也是未來的發展主軸重點。
在這場直播活動上，也釋出目前正進入開發後期階段的M43新品，雖影片出現的機身剪影僅有短短數秒，不過可以看到似乎是旗艦級微單眼E-M1X 的後繼機款。
拆封相機收購 拆封相機收購
拆封相機收購
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This week, Amazon completed the second phase of a deal announced last September, when it committed to investing up to $4 billion in OpenAI rival Anthropic. The additional $2.75 billion invested is Amazon’s largest check ever into another company and yet another signal of how critical the development of large language models has become to Big Tech.
The logic is simple: Amazon needs to offer models through AWS that compete with the OpenAI-powered offerings of its arch cloud rival, Microsoft, and Anthropic is the best alternative that exists. If we rewound the clock back to when Big Tech could make large acquisitions without them being blocked by regulators, I’m sure Amazon would have tried to buy Anthropic outright.
Instead, it’s passively investing billions of dollars and telegraphing that it only has a minority stake with no board seat. Conveniently for Amazon, Anthropic has meanwhile agreed to spend $4 billion on AWS over the next several years.
This story is exclusively for subscribers of Command Line, our newsletter about the tech industry’s inside conversation. Subscribe to a plan below for full access.
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圖、文／NOVA情報誌
選對單眼 素人變職人！
無反全片幅 攝界新型男
高階相機發大絕，要用更隨拍隨美犀利天賦，極速連拍追焦&專業操控性能手感，讓你輕鬆成為攝影好手！
驚！妳說啥，青春不留白，要留下美好瞬間與精彩回憶感動，到底要選成熟男？型男？還是小鮮肉？（驚）我說這位小姐，本人好歹也是正港男子漢，在我面前談這會不會太跨張不給面子，要不要多加一些條件，例如體格強壯、經驗老道、超猛速度、新潮技術、絕佳手感？還是價格實在，中看中用，長短需求都滿足！想不到妳一臉文青正經樣，骨子裡居然這麼好色！
（三條線）對、我就是好攝，是「攝」影的攝，最近正想選購一台隨拍隨美的高階相機，但不知該選哪類型，傷腦筋中？你該不會以為我？骯髒、思想邪惡，就叫你不要看太多安博1818…！（糗）好啦，為了贖罪份上，立馬帶你走訪通路與尋訪原廠，來個單眼名人榜總體檢，好讓你錢花刀口上，一機在手，素人變專業攝手喔！
無反全片幅 高階新主流
目前坊間數位單眼市場大致劃分三大類型：傳統大單「單反DSLR」發展最早，畫質與技術成熟，擁有30年以上龐大鏡頭資產，可比喻為熟男。新興「無反全片幅EVIL」，有搶眼外表又有內在，畫質技術不輸單反，我們比喻為型男。而體態輕盈小巧的「無反小微單」，容易帶它上山下海，外貌出眾且CP值高，很多女性朋友都喜歡，則比喻為小鮮肉。
這三大類型機「熟男、型男、小鮮肉」，各有各擁護者與需求定位，然而近期又以「型男機」鋒頭最健，話題連連！
除佈局已久的Sony外，光學大廠Nikon、Canon陸續在9月接連跨入這「無反全片幅」領域，各家戰將藉由大型CMOS感光獨特系統，高解析極短法蘭距鏡頭技術，新一代強悍處理引擎與五軸防手震、超高速對焦拍攝性能等，儼然已取代「單反」，可充分因應時下追求高畫質影像的高階玩家與攝影師需求。尤其藉由無反光鏡架構，讓體積相對小，提供更優攜帶，因此更視為未來高階單眼新主流！
重點新款「無反全片幅」還改善過去種種罩門！因無反光鏡架構只能採「EVF電子觀景窗」，缺點取景時容易產生時滯延遲，好消息是目前新機幾乎做到同步；最令人詬病的電力問題，相較「單反」拍攝張數可說腰斬再腰斬，但今年各家新機開始漸漸克服，單顆電池已能來到700張拍攝張數，加上手感與操控設計愈來愈專業科技，讓其關注度與氣勢不斷攀升，蓬勃可期！
至於在業界走跳多年的老大哥「單反」，擁有無可比擬鏡頭群與最佳操控魅力，機身塊頭大，但按鍵眾多、握持穩健，光學觀景窗取景直覺，尤其高解析畫質、全焦段&景深拍攝彈性與整體性能表現平均，依舊是商業攝影師與專業拍攝者的第一指名，地位仍穩固。
高速連拍準確追焦 4K卓越錄影
在性能上，今年高階相機持續在高速連拍、對焦速度與追焦範圍上大幅突破，更滿足一些需要速度與準確對焦的婚禮，或移動物體偵測追焦情境，運動路跑記錄與好動小孩Q萌表情瞬間捕捉等拍攝；甚至旗艦款還做到驚人的每秒20張、30張無黑屏連拍，超密集相位式＋對比式對焦多點對焦系統，並涵蓋90%以上寬廣AF區域範圍，且在既有臉部辨識下紛紛新增眼睛偵測對焦，讓使用者能輕鬆拍出清晰臉孔與炯炯有眼完美人像。
伴隨新一代更強運算處理引擎，「4K錄影」亦全面到為，成為各家新機標的重點之一，且持續在解析「流暢度」與畫面「質量」上強化競逐。在基本的4K /30Fps每秒30格錄影品質下，市場已出現內建4K每秒60格先進技術悍機，讓錄製畫面流暢度表現更好，甚至有的品牌強調支援4K HDR錄影規格，能對應4K HDR電視，表現出高色彩與豐富對比細節；有的標榜10 Bit寬廣色域錄製，並導入峰值對焦與超小光圈曝光模式，讓錄影畫面&亮度專業平穩。對於想記錄小孩成長點滴，或是工作上有特別錄影需求的部落客與YouTuber，不妨多關注各家特色。
輕巧隨身美自拍 分享即時聰明購
另外定位中階&入門「無反小微單」，一來體型袖珍，隨身攜帶方便，且提供進階專業拍攝功能，重點透過180度自拍螢幕與美肌功能技術，外觀品味出眾，色系選擇性多，價格親民上入手，入門機含Kit鏡約僅２萬上下，滿足隨拍隨美年輕女性、旅遊人士部落客與文青掛需求。
當拍出好照片或值得珍藏影像，想即時分享社群，目前各家多內建無線WiFi，能即時與手機連線傳輸照片，尤其已有愈來愈多品牌增添新藍牙傳輸技術，讓相機拍完照可「自動同步」傳輸手機，讓分享變得更簡易！
「面對這些種類機種該如何聰明選購呢？」首先考量自我拍攝需求與預算；初入門的使用者，建議先選簡易操作機種，若是進階攝影或想轉換品牌，再從自己習慣拍攝的焦段與題材來挑選。譬如主要紀錄小孩成長、寵物或運動追焦生態系，建議選兼顧高速連拍與精準對焦款式；注重人像拍攝、文青旅遊或女性自拍，挑選大光圈或配有美肌功能輕巧隨身型；用來進行專業婚紗或攝影師第二台隨身機，則以高畫質大單或無反全片幅為優先考量。鏡頭部分，則從標準Kit一機一鏡或雙鏡組入門即可，後續當熟悉鏡頭焦段特性與極限，再視需求選購定焦人像鏡或長焦鏡。最後不要忘了維護保養，當拍攝回家後務必進行擦拭，盡可能放入防潮箱保存，如此才能長久陪伴。
各類單眼布局完整，主打高畫質與DAF自動對焦技術的Canon，首推新上市EOS R無反全片幅系統機，並標榜四大優勢！包含3030萬像素CMOS，全新54mm大口徑RF接環&20mm法蘭距，訴求專業高解析與機身耐用度，電子接環更設計12Pin，同時導入超高速精準DAF雙像素對焦與新一代DIGIC 8處理器，帶來業界最快0.05秒極速對焦與超細微5655點對焦點，並支援4K錄影與1/8級光圈調整等實用功能。特別是除鏡頭上設有功能控制環，機身上還新增系列機首見「多功能觸控Bar」，大幅提升操控性，電力續航亦達700張數。
Sony主推高人氣熱賣的無反全片幅單眼機α7 III，搭載背照式Exmor R CMOS感光元件與優化版BIONZ X處理器，低光源表現突出，並承襲旗艦款好評的693點相位式偵測＋425點自動對焦系統，覆蓋達93%影像範圍，且提供每秒10張全靜音無黑屏拍攝，高速運作下持續能準確追蹤，內建4K HDR錄影與S-Log 2/3技術模式，讓白天/夜晚錄影皆保留豐富暗部細節，整體表現性價比高、用途廣，鎖定頂規攝影玩家與婚禮錄影。
Nikon近期發表首款無反全片幅系統Z7，主打多項創新技術，包含全新特大55mm卡口接環，業界無反機中最短的16mm法蘭距。口徑大，優點進光量大，能對應新開發的F 0.95超大光圈鏡頭；法蘭距離短，可減少色差，帶來更優異光學瓶頸表現；同時搭載4570萬高解析像素，493點PDAF對焦位置，最新六代EXPEED 6影像處理器，5級5軸防手震與4K錄影，同時保留DSLR般絕佳手感與防塵防滴耐候性。
Fujifilm首推革命性高畫質APS-C新機X-T3，搭載最新四代X-Trans CMOS 4感應器＋X Processor 4處理引擎，大幅提升成像解析度、低噪點與ISO160起始原生感光度，尤其運算度速較提升3倍，帶來傲視業界的4K/60P 10bit每秒60格錄影性能。同時預告尺寸比全片幅更大的「中片幅」新機GFX-50R近期將引進，屆時拍攝表現與價格都會讓人驚艷！
拆封相機收購olympus主打旗艦OM-D EM1 MarkII，機身內建五軸防手震，八代強悍TruePic VIII 影像處理引擎，帶來業界頂尖RAW檔18張連拍，主打高速生態與運動攝影拍攝，特別是獨家Pro Capture回溯模式，快門按下瞬間能回溯前14張影像，不錯過蜂鳥飛出瞬間最佳畫面，並有4K錄影功能。
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拆封相機收購 拆封相機收購
拆封相機收購
Micro Four Thirds cameras are coming fast and furious, and getting better and more technically impressive all the time. For its latest offering, however, 拆封相機收購olympus looked backward for inspiration rather than forward. The OM-D E-M5’s design harkens back to the 1970’s, to 拆封相機收購olympus’ old OM-1 film SLR. The OM-1 was introduced in 1972, and was a revelation in both size and build quality; the E-M5’s petite stature isn’t quite as game-changing this time, but it’s still awfully small, and still awfully nice-looking. It’s the first in a new line of Micro Four Thirds cameras from 拆封相機收購olympus, designed to be more premium products than the PEN line, which includes cameras like the E-PL3.
It may look like 1972 on the outside, but internally the E-M5 is all 2012: it has a 16-megapixel sensor, ISO range up to ISO 25,600, a weather-sealed body, and plenty of in-camera filters and scenes to help you take cooler and better shots. The OM-1 was beautiful to look at, and so were its photos; can we say the same of the E-M5? Read on.
The E-M5 isn’t quite as retro-gorgeous as a device like the Fujifilm X10, but it’s still seriously easy on the eyes. Its magnesium-alloy body is available in black or silver, with black synthetic leather wrapping around the center of the body on each model; having seen both, I prefer the silver, but my all-black review unit has its fair share of charm as well. At 4.8 inches wide and 1.7 inches thick (minus the lens, of course), it’s quite easy to hold, though I do wish there were a slightly larger grip — there’s a nice raised spot on the back for your right thumb, but the bump on the front barely registers at all. At 15 ounces, the E-M5 isn’t the lightest Micro Four Thirds camera I’ve tested, but it’s a featherweight compared to the DSLRs I typically lug around.
The front of the camera is extremely sparse: there’s an 拆封相機收購olympus logo and an OM-D logo, a lens release… and that’s it. On top you’ll find a handful of controls, along with the pentaprism hump that’s a distinctive part of old OM cameras like the OM-1, but feels like a vestigial appendage on a mirrorless camera in 2012. The extra real estate is at least put to good use, with an electronic viewfinder, accessory port and hotshoe occupying the space, but it feels like this camera’s a bit larger than it has to be for the sake of being old-looking. There’s no flash built in, but the E-M5 comes with a flash accessory that plugs into the hotshoe and accessory port — it’s a good flash, too, bright and more diffuse than I expected, plus all you have to do to activate it is tilt it upward.
Underneath the viewfinder is the 3-inch LCD (more on both of those down below), and a few more buttons and controls. Weather-sealed flaps on the right side cover Micro USB and Micro HDMI ports; the battery door and tripod mount rest on the bottom, and there’s a single SD card slot on the right side. Everything’s a little more difficult to access than I’d like thanks to the weather-proofing (you have to tilt the screen out before you can access the HDMI and USB ports), but I’ll gladly take that in exchange for not having to fear using the camera in a bit of rain.
I’ll take an OVF over an EVF, but I’ll take an EVF over nothing
Since Micro Four Thirds cameras don’t have a mirror, they also don’t have optical viewfinders. So 拆封相機收購olympus added a 1.44-million-dot electronic viewfinder to the E-M5, and as EVFs go it’s a pretty good one. The tradeoffs with an EVF are almost always the same: you get lots of information on the viewfinder itself, but you don’t get as accurate a look at what you’re shooting. An EVF’s refresh rate also means you’ll get blur and ghosting if you move the camera quickly, and on the E-M5 I also saw violent exposure shifts as the camera caught up to what it was looking at. EVF’s are fine, and I’m glad 拆封相機收購olympus included one here rather than foresaking viewfinders altogether, but make sure you can live without an OVF before you buy the E-M5.
The 3-inch LCD, on the other hand, is good by any standard. It’s filled with only 610,000 dots, so in theory it’s not as sharp as the 921,000-dot screens on the NEX-7 and other cameras, but I can’t say I noticed the difference. The LCD’s colors were incredibly accurate — more so than the viewfinder — and viewing angles are fantastic, meaning there’s virtually no way you can hold the camera and not be able to see the display. That’s made even more true by the fact that the LCD tilts almost 180 degrees up and down, so you can flip it out and frame a shot even while holding the camera above your head or down at your waist.
Micro Four Thirds camera manufacturers pride themselves on having tiny lenses for their cameras, and the E-M5’s two kit lens options are no exception: both would fit easily inside a fun-sized can of Pringles (I know this for a fact). One is a 14-42mm f/3.5-5.6 II R lens, which costs $1,099.99 with the body, or for $1,299.99 you get the higher-end, weather-sealed 12-50mm f/3.5-6.3 EZ lens. I tested the E-M5 with the latter, and really liked it. It’s incredibly smooth and sharp, and by moving the zoom ring forward or backward into one of three spots, you can enable manual zoom, electronic zoom (where you rock the zoom ring and it zooms automatically), or macro mode. I preferred the electronic zoom, which felt smoother when recording video. It makes the camera feel even smaller and lighter, and it’s pretty good glass at the same time.
With some initial setup, you can control the E-M5 almost as capably as a DSLR — its control system isn’t quite as good as the Sony NEX-7, but it’s close. There are two scroll wheels on top of the camera, which control different things depending on the mode you’re in, but are fairly straightforward. There are also two function buttons in reach of your thumb or index finger; by default, one is set to control ISO in manual mode, which I love, but of course they’re customizable. The buttons themselves are a little sticky and cheap-feeling, and the wheels can be hard to turn accurately — I’d frequently want to change shutter speed one stop and accidentally go three or four — but I got used to the quirks pretty quickly and was shooting smoothly in no time. There aren’t as many buttons as I might like, especially for things like bracketing, but that’s part of the tradeoff when you’re buying a Micro Four Thirds camera.
The on-screen interface is par for the camera course: lots of light text on dark backgrounds and semi-inscrutable icons leading you around. You’ll mostly navigate with buttons, since the touchscreen interface is pretty basic — in Auto mode, you can change things like brightness and saturation using an on-screen slider, but that’s about it. You can also tap on a portion of the screen and the E-M5 will snap a photo, though I didn’t use that much. The menus are long and deep, so you won’t want to spend a lot of time tweaking bracketing or EVF settings — this is a camera you set up, and just shoot with.
The touchscreen is more useful when you’re reviewing your photos, since you can swipe through your photos, or zoom and pan around them. It’s not the most fluid of interfaces — photos jerk a bit as you zoom in and out, and even the slightest tap swipes to the next photo — but it’s definitely better for this purpose than a non-touchscreen.
Take the time up front to set it up the way you want
Art filters and scene modes galore
拆封相機收購olympus has jumped full-on into the Instagram craze, and bundles a dozen or so filters into the E-M5, under the Art section on the mode dial. They’re all Instagram-y filters, too, from Grainy Film to Dramatic Tone to Pop Art. They’re fun and gimmicky, but use with caution — the camera doesn’t store an original copy of your photo, only the filtered image. There’s one called Art BKT, though, which shoots one photo and then saves it with every filter plus one unfiltered shot, so you can decide later which (if any) you want to use.
There are a bunch of standard scene settings, too, which tweak your camera’s settings to shoot better portraits, or better at night. Panorama and HDR both work as advertised, too — pretty much anything you want to do with your photos, you can.
The E-M5 is definitely a high-end camera, and it shoots like one. Using the higher-end kit lens, I was consistently surprised with how sharp my photos were, especially in the corners and in bad lighting. Many cameras shoot sharp photos in the center and get soft as you move toward the edges, but the E-M5 stays tack-sharp nearly the whole way. Dynamic range was the one hangup — it’s good but not great when there are dark and bright spots in the same scene, and deep shadows on sunny days definitely gave the camera some trouble when exposing the shot. In really bright light, colors sometimes wash out a bit, but for the most part I’m pleased with its accuracy and richness. Generally speaking, I was thrilled with the images I took on the E-M5.
You can’t see in the dark, but you’re not far off
Typically the worrisome feature of a Micro Four Thirds camera, or any camera with a sensor smaller than a DSLR’s, is low light performance — smaller sensor means less light collected at a time, which usually means worse images. No such trouble here, though: the E-M5 can’t quite see in the dark, but it does an impressive job of trying. Its ISO range goes as high as ISO 25,600, and I happily shot up to ISO 3200 without even thinking about it. You get a bit of noise after about ISO 800, but even up to ISO 4000 or so photos are still usable at smaller sizes. Even at ISO 12,800 and to a lesser extent 25,600, I could still read text, and unlike most cameras wouldn’t hate sharing the resulting photos. Such great ISO performance makes it all the more frustrating that by default the E-M5’s Auto ISO setting only goes up to ISO 1600, and like the NEX-7 the camera instead abuses shutter speed to get good pictures in low light — you can change this in the camera’s menu, and I suggest you at least double it to ISO 3200.
Fortunately, slow shutter speeds aren’t as big a problem as they normally are because 拆封相機收購olympus’ Micro Four Thirds shooters use in-camera image stabilization rather than relying on the lens to keep your shot still, which makes a noticeable difference in the sharpness of your photos. I normally try to avoid shooting at less than 1/80th of a second shutter speed, but I went to 1/40th or below on the E-M5 without any problems. It’s five-axis stabilization, too, which means it’ll correct for almost any direction you or the camera moves.
Seriously quick for such a small camera
The E-M5’s 16-megapixel JPG images weigh in at 4608 x 3072, and run between 6.5MB and 8.5MB per shot (much larger if you shoot RAW images). The camera’s able to shoot rapid-fire for about 18 frames before the buffer catches up, after which it grabs one about every half-second; make sure you have a fast card (I used a SanDisk Extreme SD card), because it’ll slow you down before the camera itself does. It’s relatively fast elsewhere, too. It turns on and captures a photo in about 2.5 seconds, which is only average, but it captures more than nine frames per second and has an imperceptible 0.1 second of shutter lag — with no mirror to flip up every time it takes a shot, this camera flies. It’s working hard to do so, though, and you can tell: the camera audibly whirs every now and then, and though the sound never showed up in my videos it’s weird to be able to hear my camera.
“Who has the fastest autofocus?” is a constant point of contention between 拆封相機收購olympus and Panasonic’s Micro Four Thirds cameras. 拆封相機收購olympus claims the E-M5’s autofocus is the fastest on the market, Panasonic says the same of the new GF5. Regardless, the E-M5’s autofocus is blazing fast, locking reliably and instantly onto its subject — you can choose among 35 different autofocus points, or use face tracking.
High-definition video can be recorded at either 1080p or 720p, at 30 frames per second. Footage is impressive, too, with rich colors and crisp details. The E-M5 offers continuous autofocus while recording video, and you can zoom as well — the zooming’s a bit jerky, though, and video would occasionally flicker as I zoomed in or out. In-camera image stabilization is once again a big plus here, allowing for much smoother video even while you’re moving or panning the camera. You’ll still want a tripod for shake-free results, but video from the E-M5 is far from the nausea-inducing footage a lot of cameras produce.
The stereo microphone does nicely as well, and picks up a pretty good stereo effect. It’s not a replacement for an external mic, and that’s unfortunate since there’s no input for a microphone (though you can buy one to attach to the hotshoe).
Battery life is pretty fantastic — I shot more than 500 photos and about 10 minutes of video, all without killing the battery. What’s weird, though, is that I shot most of those photos with the battery meter reading empty; either there’s something wrong with how the E-M5 measures its battery levels, or that last ten percent packs a serious punch. I quickly learned to just ignore the warnings and keep shooting, though, and it lasts a long time.
What’s not to like?
The 拆封相機收購olympus OM-D E-M5 does nearly everything right: it’s fast, gorgeous, and takes great images and video. Its biggest setback is its price: at $1,099.99, you’re definitely paying a premium for the E-M5’s gestalt, even over 拆封相機收購olympus’s own PEN line of very good Micro Four Thirds cameras. At that price this camera is competing with shooters that have larger sensors, too, and if there’s one rule of thumb worth following it’s that larger sensors mean better pictures. At this level, though, we’re only talking varying levels of greatness — the E-M5 is the best and most enjoyable Micro Four Thirds camera I’ve used yet. It’s a much more novice-friendly camera than a DSLR or even the NEX-7 thanks to its size and control scheme, though NEX cameras and DSLRs will serve you more capably once you’ve gotten used to them. It also plugs into a large and ever-growing ecosystem of lenses, which is another advantage over Sony’s NEX cameras. If you’re willing to make a couple of very minor tradeoffs in image quality and manual control, most buyers will be very happy with the OM-D E-M5.
（圖／彭博社）
總是分享一系列美照的《國家地理》，擁有一群資深且厲害的攝影師，在官方部落格的最新文章，攝影師 Tom O’Brien 分享由他們評點的 10 款最佳旅行相機，其中富士與徠卡就一口氣佔據 6 席，讓你帶出門玩有最好的畫質，而且能方便攜帶。
首先被點名的是理光 GR III 與 GR IIIx，Tom O’Brien 提到這兩款相機儘管並非最亮眼，卻十分有衝擊性，2400 萬畫素的 APS-C 感光元件、機身防震以及操作性和選單設計備受肯定，不過也提醒消費者，要注意電池續航不長的小缺點，附加的 USB-C 連接線可以方便充電。
（圖／翻攝理光官網）
另外上榜的還有 Sony RX100 VII，被評為可以放入口袋的輕巧體積，卻擁有 Sony 旗下的對焦速度，在拍攝人與動物十分可靠，另外 24-200mm 的變焦鏡頭也備受好評。
富士則以 X-T4、X100V、X-S10 三款相機上榜，前者的復古設計給 Tom O’Brien 留下深刻印象，但又保留現代的專業操作性，是當前最好的 APS-C 相機之一。不可換鏡頭的 X100V 同樣上榜，適合用於街拍，且有安靜的機械快門，以及強化過的操控性。X-S10 被評為最具性價比的選項，符合小體工學設計且有好的性能。
（圖／翻攝富士官網）
徠卡同樣有三款相機上榜，包含 Q2、Q2 Monochrom 和 QP，儘管價格不斐，但使用體驗極佳，再加上一流的畫質。Canon EOS RP 則是唯一進榜的全片幅相機，Tom O’Brien 也與 Sony a7c 進行比較，認為儘管後者性能確實更強，但 EOS RP 比較便宜且握持感佳，是適合初學者的好相機。
拆封相機收購olympus 的 OM-D E-M1 Mark III 則適合用於拍攝野生動物或是景觀，專業級的防雨，以及較小的 M43 感光元件，能搭配鏡頭與其強悍的穩定系統，獲得其他相機難以拍攝的照片。
拆封相機收購 拆封相機收購
拆封相機收購
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我們想讓你知道…居然不能自拍…..
記者莊友直／台北報導
拆封相機收購olympus 近期的機型定位仍是以復古搭配高性能的方式設計，而睽違 2 年發表的新入門微單 E-M10 III 更是體現了這句話，不僅維持前代的機身設計，且將操作改為更貼近初學者的設計；但機身性能可完全不含糊，因為獲得了機皇 E-M1 II 的對焦與影像處理器，某種層面上也算上打一拖拉庫機型了吧？
接下來也趁著台灣廠商辦體驗行程的機會，對這款性能與親民兼具的入門微單來個簡單體驗。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器（同 E-M1）
・外型設計維持二代設計，前方握把加厚提升握感
・機頂按鍵微調，左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀自拍觸控螢幕
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s（機械），電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps（II 代為 8.4fps）
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格，新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm，重約 410g（含電池、記憶卡）
＊外型
E-M10 III 外型設計雖然與前代有些類似，仍是有 E-M5 路線但更為輕巧的復古設計；但也有些微調，但正面的握把有做加厚處理，更好握持外；機頂的按鍵也有做微調，像是右上曲線改為放大檢視外，左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪，不像前代面積來的那麼大，視覺效果感覺有些偷工。
▼E-M10 III 機身一樣與前代維持差不多的設計，但手把可發現變得更深、好握。（圖／記者莊友直攝）
▼模式轉盤與速控轉盤上的止滑處理，在 E-M10 III 似乎面積變小，感覺有「偷工」嫌疑啊！（圖／記者莊友直攝）
機頂部分和 E-M10 II 比較之下，整體除了拍攝模式轉盤有作些微調整外，比較大的更動在於右上方的曲線變為放大檢視，而左下的 Fn3 也變為可在不同模式下快速叫出操控選單的快捷鍵。
▼E-M10 III（左側）與前代 E-M10 II 機頂相比其實差別不大，但可發現左上與右下的快捷鍵有所更動。（圖／記者莊友直攝）
▼可發現 E-M10 III 在模式轉盤有著些許更動，稍晚我們也會做詳盡說明。（圖／記者莊友直攝）
機背在整體操作按鍵區域配置上，與前代其實差別不大，因應其入門機種的易操作特性，大部份按鍵皆位於機背右方方便操作，並具備 3 吋 102 萬畫素上掀觸控螢幕，以及 234 萬畫素電子觀景窗。實際觀看 EVF 的視覺感受比起上代要來得好一些；但身為入門機種卻不能自拍外，螢幕的畫素呈現讓照片似乎有些糊糊的，感覺要利用電子觀景窗看才會比較清晰，如果能改進一下就更好了。
▼E-M10 III 機背的按鍵配置與前代差不多，不過本次螢幕畫素還是有些糊糊的狀態，需要靠 234 萬畫素的 EVF 賞圖比較清晰。（圖／記者莊友直攝）
▼E-M10 III 配置 3 吋 102 萬點上掀式觸控螢幕，操控反應還算不錯，最大缺憾就是無法自拍。（圖／記者莊友直攝）
機身右側則配有 USB 與 HDMI 連接埠，至於左側則是什麼都沒放，記憶卡與電池皆至於機底處；另外，相較 E-M10 II 未有電池狀態顯示， III 代則是具備 4 格顯示，也算是電力管理上的一大改進。
▼機身右側設有 USB 與 HDMI 連接埠，記憶卡和電池則是整合在機底的電池槽中。（圖／記者莊友直攝）
＊操作
談完了 E-M10 III 在操作上的小改變，拍攝技能上，拆封相機收購olympus 因應入門機的定位，搭載 1,600 萬畫素 Live MOS M4/3 感光元件之餘，比較大的升級就在導入機皇 E-M1 II 的 TurePic VIII 影像處理器，以及 121 點對焦系統，如此的改變不僅讓感光度範圍升至 ISO200-25,600，連拍速度也從 8.4fps 增加到 8.6fps，並支援光學防手震外（仍是 4 級快門速度） ，也多了方便連續對焦的「泡泡」對焦。
▼E-M10 III 雖然感光元件與前代相比差不多，但導入 E-M1 II 的影像處理器與 121 點對焦系統，算是有感升級。（圖／記者莊友直攝）
至於拍攝模式上，由於 E-M10 III 畢竟還是一台入門階級的微單眼，本次也做了蠻多幅度的改變。除了基本的 PASM 拍攝模式之餘，也將初學者必備的情境模式介面做了更改，且子功能下方還會有更多相關設定。以夜景來說，下方就會出現光軌拍攝、夜景帶人像等不同模式。
▼E-M10 III 因應初學者定位，在情境拍攝模式上也做了更易用的大改版。（圖／記者莊友直攝）
另外，本次也新增整合了 拆封相機收購olympus 諸多高階功能如即時合成、HDR、全景等高階拍攝情境的 AP 專家模式，並多了一款藉由連拍拍攝單一物體、不同合焦範圍的「對焦包圍」功能，對於商品拍攝、微距題材來說可提升不少拍攝成功率。
▼本次整合高階拍攝情境的 AP 專家模式，可讓有特殊需求的用戶自行選擇即時合成、HDR 等高階功能。（圖／記者莊友直攝）
▼對焦包圍能以連拍方式拍攝單一物體、不同焦距的照片，對於商品攝影和微距題材來說頗為實用。（圖／記者莊友直攝）
至於濾鏡部分，本次也多了主打金屬色表現的漂白藝術濾鏡可選，最多可一次選擇 15 種；另外，對傻瓜專用的 i-auto 模式，在 E-M10 III 中也改名為 auto，並會自動偵測主體與場景的晃動速度，藉此自動改變快門，整體可說是操控更趨入門，不過內在核心更為專業的發展狀態，真的要說一項缺點的話，恐怕還是不能上掀自拍吧？
▼E-M10 III 本次也新增兩款漂白濾鏡，共計有 15 款可以選擇。（圖／記者莊友直攝）
▼漂白濾鏡示範，可發現整體色調變得比較暗淡一些，但金屬色系則會有明顯的突出。（圖／記者莊友直攝）
以下也提供本次記者會的幾張實拍照片，更多範例可點這裡觀看
拆封相機收購 拆封相機收購
拆封相機收購
Camera manufacturers are running out of ways to differentiate point-and-shoots from increasingly effective smartphones, but they’ll always have more hardware space to play with. The new 拆封相機收購olympus SH-50 is a good example of this, employing an optical image stabilization system that shifts the 16-megapixel sensor along five axes for video and three for photos; the system was first used in the excellent OM-D EM-5 mirrorless camera.
Coupled with a 24x zoom (25-600mm equivalent) lens, the SH-50 should produce sharper pictures than your smartphone as long as you’re willing to hand over $299.99 when it launches in March. 拆封相機收購olympus has also put the same 24x zoom lens in a pair of cheaper 16-megapixel compacts: the Stylus SZ-15 and SZ-16 will come out in March at price points of $199.99 and $239.99 respectively, though you’ll only get dual-axis image stabilization.
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圖、文／NOVA情報誌
錄好錄滿夏日奇「機」神救援～更強防震衝鋒技術，更易自拍前後雙螢幕，更美海底世界還原魔法，編織青春不凡風雲「錄」！
炎炎夏日，市區熱烘烘像烤爐，最佳休閒活動正是玩水！廉價航空盛行，年輕人愛出遊，四處造訪美麗海島、知名海灘，朝聖珊瑚礁浮潛聖地…這時仰望蔚藍天空、徐徐微風，搭配超美水中世界與比基尼正妹、肌肉型男，絕對「清涼」一夏！
伴隨時下衝浪、潛水盛行，各項極限運動挑戰者或網紅網美們，面對極具意義與稍縱即逝美好瞬間，想記錄保存或同步直播分享，讓好友家人粉絲如臨現場「看過當去過」，共享箇中點滴喜悅！
無論完整刻劃動人回憶，爾或讓自己Vlog影片點播率爆棚人氣紅不讓，必須得靠「專業」的來！有需求就有市場，因應戶外極限運動、水下記錄與險峻環境而生的「防水運動攝錄機」，「驚」夏豈止更多品牌加入，且各路「4K海陸悍將」大幅強化畫質防震技術&增添嶄新模式，滿足各環境運用拍攝，同時務求智慧一條龍後製&分享，錄完自動精華剪輯速上傳手機社群全方位搞定；特別是袖珍體態工藝續創新，首款雙螢幕機問世，契合Vlog直播自拍潮，水中拍攝還更Pro，真實還原海底美麗世界，重點豐富實用配件安心隨扈…本期特別專訪各大代表性機種&品牌，歐耶～即刻按下快門，跟隨小編腳步，體驗這不平凡的夏日攝錄奇「機」！
4K超防震精益求精 AI全自動剪輯分享
「影片」會說話！常常在一些外景綜藝節目如「愛玩客」、「綜藝玩很大」，看到主持人小鐘、小隊長瘋面仔KID與眾多穿著比基尼清涼裝女星，手持「防水攝錄機」激烈奔跑山林或沙灘，競逐闖關玩各項水上遊戲，拼戰時肢體動作，臉部特寫細微表情與女星嚇得花容失色瞬間，盡收觀眾眼裡。
重點不是這些女星身材好不好，而是有「影」有真相，間接印證手中專業「防水攝錄機」（或稱之為運動極限攝影機）強悍海陸防護力與高動態環境下拍攝實力。對於喜愛戶外運動，想記錄拍攝又不想冒著手機GG風險，有著極大吸引力與安全信心！
尤其這海陸雙棲悍將不只是攝錄利器，還能玩出很多影像樂趣，甚至市場龍頭品牌GoPro已能做到拍攝操作到後製剪輯、分享，單機一條龍包辦到好，讓不懂影片剪輯後製的大眾趨之若鶩！好還要更好，GoPro全新七代旗艦款「HERO 7 Black」持續帶來更強4K高畫質防震，更簡易AI智慧後製，還新增FB臉書串連直播分享功能…！
「七代機最大特色搭載『超級防震技術』，防抖效果相當好，讓玩家無需花錢買三軸穩定器！」GoPro台閔科技產品經理曾英雄指出：「GoPro堅持提供優質創新產品與令人感動視頻，至今進入第七代，各項功能更臻完善。全新主力旗艦『HERO 7 Black』延續既有堅固耐用性，無需防水殼裸機帶來水下10米防護，並提供業界最流暢4K每秒60格、1080P每秒240格影片畫質，尤其針對激烈動作下的防震抑制，導入最新研發『HyperSmooth超級防震技術』，畫面穩定性大幅提升，還新增過去後製才能做到的『TimeWrap移動縮時』模式，讓玩家邊走邊拍，玩出有趣快轉影像風格！」特別是凌駕業界的獨家好評「Quik Stories剪輯故事功能」，七代機進階再整合AI智慧分析，做到更「全自動」無需動手即完成作業。GoPro曾經理強調！
是的，七代新搭載「HyperSmooth超級防震技術」，確實相較上代能更顯著凍結抖動問題，無需搭配三軸穩定器即能拍出穩定順暢畫面，剛推出時本刊數位鑑定團單元搶先鑑定過這款，當時達人們對這功能評價高。尤其針對多數人不會剪輯影片困擾，上代透過專用Quik Stories App選好拍攝的影片與照片後，指定App內羅列的各式免費音樂與特效，已能幫玩家自動濃縮剪輯一段有串場、效果、配樂，適合分享的30秒到2分鐘精采影片，大受好評。
更棒的是七代加碼「AI自動全剪輯」，只要開啟設定內Auto模式，系統會智慧AI分析拍攝濃縮影片中人臉、聲音、畫面晃動…等，快速剪輯成精采片段並搭配音樂上傳你手機，讓你決定要不要存檔或直接分享上傳社群，達到「自動拍攝＋後製＋分享全方位包套到好」新成就，大幅節省後製時間，這也讓GoPro銷售量持續在市場開紅盤！
GoPro曾經理笑談，近期我們還推出「HERO 7 Black Dusk White暮光白限量版」，走白色機身外觀，很多女性朋友都喜歡。尤其迎合時下網紅網美直播分享風潮，七代機一大獨家新特色，能支援使用者臉書FaceBook Live串流直播，亦可透過RTMP轉址將錄像直播到個人YouTube、Twitch、Vimeo等頻道上，同步無時差將直播影片分享粉絲好友，推出後獲得不小迴響喔！
GoPro七代機相較上代增添這麼多亮點，讓人很好奇接下來八代的突破與發展！不斷追問下，GoPro曾經理鬆口八代新機最快10月引進台灣，但礙於商業機密無法透露細節，不過絕對會更滿足極限運動攝影，強化全方位Vlog&親子旅遊拍攝與更方便大眾使用。網路無國界！從國外網站搜尋得到的訊息，下代新機可能會推黑/銀/白三種色系，內建更高流暢4K每秒120格、1080P每秒480格畫質與防震新技術，代表拍出來畫面將更順更穩，且還有特殊專屬配件來迎合Vlog拍攝需求，值得期待！
創新前後雙彩色螢幕 主打Vlog極限愛好
「防水攝錄機」很大趨勢用途就是「Vlog影片拍攝！」近年來「Vlog」這名詞全球熱夯，Vlog簡單來說泛指「影片部落格Video blog」，許多網紅、YouTuber或影片創作者，透過簡單一段短片自拍，分享聊天或介紹美食生活旅遊等，吸引觀看與點閱，因貼近現實與高度原創性，就像朋友出現螢幕前哈啦，很受年輕人青睞，坊間一些熱門YouTuber的點擊率往往可衝破百萬！
本身能穿梭極限運動上山下海，隨時隨地應付各類拍攝環境的4K高畫質攝錄機，無疑成為Vlog興起後關鍵受益者，廠商們也看準此趨勢，紛紛研發推出相對應機型，搶食這塊Vlog新興商機！
在空拍機領域相當聞名的DJI大疆，近日正式跨足「防水運動攝影」領域即展現一鳴驚人之姿！首款代表作「OSMO Action」不但各項防護、畫質、性能完整到位，還前所未見導入「創新前後雙彩色螢幕」，加上相對親民價位策略，一上市就引發市場話題與各界觀注！
DJI代理先創國際行銷公關陳筱涵談到：「運動攝錄機的成功，跟直播世代興起有很大關聯！DJI首款『OSMO Action』最大優勢搭載『前後雙彩色螢幕』，小巧堅固機身下除具備裸機11米水下高防護，且在後置2.2吋觸控螢幕外，前方鏡頭旁還多增設1.4吋300dPi彩色螢幕，讓使用者能即時看到構圖不再盲拍，配件安裝時快速調整最佳角度，透過輕觸螢幕兩下即能做螢幕轉換，提供更好自拍Volg體驗與更方便分享個人經歷、心情和觀點！」雙管齊下，前螢幕記錄豐富有趣表情，後螢幕主宰第一人稱視角，搭配獨家「增穩技術」與「4K HDR拍攝」，讓運動、旅遊與日常拍攝，皆獲得高品質流暢畫面與絕佳構圖，DJI陳公關強調！
確如所言，這位攝錄界新同學遑論雙螢幕外觀很搶眼，內在攝功同樣深厚沒話說！核心內建Ambarella H2高速影像處理器與「RockSteady增穩技術」，透過濾波演算法強化防震穩定性，同時帶來業界高標4K每秒60格、1080P每秒240格影片錄製，100Mbps高資料量畫質與支援4K HDR；還一併提供多元有趣縮時錄影，8倍速慢動作拍攝，最大120秒長時曝光控制等模式玩法。
使用者也能透過專用「DJI Mimo App」，用手機進行操控瀏覽、拍攝與傳輸檔案，並能直接針對影片後製剪輯管理，內附豐富模板、濾鏡、音樂與貼紙可套，讓影片剪輯簡單低門檻，亦能針對影片做調速、亮度、飽和度、銳度等做細節調整，創造個人滿意作品。尤其DJI還連袂祭出多種配件，提供不同場景平台搭配安裝使用，同時支援語音控制拍攝等功能。整體綜合性表現與更低入手價格，無疑對GoPro造成威脅，俗話說相互競爭才會進步，對於消費者來說絕對樂觀其成！
全天候四防翻轉自拍 高畫質攝錄雙犀達陣
很多親子家庭一到夏天，都會去沙灘泳池玩水或出國旅遊浮潛；這時既希望擁有良好機身防護性，可在險峻嚴苛環境下使用，又期望像一般隨身類單相機般，擁有高畫質靜態拍攝與優異錄影能力，不單單偏重運動極限錄影用途，務求全天候四季生活隨拍！
這時擁有四防性能-防水/防塵/防摔/抗壓的「防水型堅固相機」，無疑成為另一優質選，幾乎各家相機廠都積極佈局！猶如日系相機大廠Sony全新二代掌上型袖珍防水機「DSC-RX0M2」，方正小巧極易攜帶，本身提供裸機10米防水、2米防摔、200公斤抗衝擊、高防塵四防堅固性，滿足日常、旅行、登山、朔溪等各環境使用，尤其在核心大感光元件高畫質特性下，新增180度翻轉自拍螢幕與強化4K防手震錄影，更移植自家好評的眼部偵測對焦與柔膚效果！
Sony台灣索尼數位影像產品部主任蘇子翔談到：「自家很受歡迎的RX0系列袖珍防水口袋型相機，優勢在超小身軀下內建最大的1吋堆疊式Exmor RS COMS感光元件，帶來同級機中最高畫質，完美兼顧全天候攜帶與最佳拍攝品質需求平衡性，是它牌所無法企及！」尤其我們要讓它應用更廣、更實用全方位，大刀闊斧在二代機新增180度翻轉螢幕，讓自拍更有感，並帶來更高4K每秒30格、1080P每秒120格流暢錄影品質，且新增間隔錄影拍攝與支援960FPS超級慢動作，出廠更搭配專用相機握把&同步可接麥克風冷靴支架（主機＋配件）組合，要讓愛拍Vlog影片的網紅、YouTuber與女性族群，通通納入紅心客群標靶，Sony蘇主任強調！
沒錯，COMS感光元件大代表進光量大，等於高畫質的保證！且二代新機還增添很多實用功能，錄影更提升4K水準，並內建有EIS影像防震技術。尤其針對錄像畫質穩定性較挑剔者，還額外提供「Movie Edit add-on」程式供搭配，能進一步透過智慧裁切處理做穩定強化，讓中間人物畫面更平穩！「效果直逼三軸穩定器所拍出喔！」Sony蘇主任指出！
「我們針對極限運動型防水攝錄者，還提供專業旗艦型『ActionCam FDR-X3000/ FDR-X3000R 』供選購！」Sony蘇主任續談，自家專為運動攝影與水中活動量身的ActionCam系列，很大強項領先業界唯一內建「B.O.SS全方位光學防震技術」，搭配4K清晰畫質、ZEISS蔡司鏡頭與Exmor R高感光元件，確保極嚴苛晃動環境下，輕鬆拍出高穩定清晰錄像，且更助於低光源環境下顏色還原度，讓色彩逼真漂亮；尤其出廠隨機附帶防水殼，套上後帶來水下60米高防護，外觀工藝更是雪白時尚，推出至今依舊賣得相當好。
是的，「光學式防震」主要透過鏡頭位移來修正晃動，不犧牲視野與任何影像細節，且低光源環境下亮度與還原力高；然而坊間多數機種採用的「電子式防震」，原理藉由縮減原有的畫面視野（各家程度不一），搭配動態感應器與提高ISO值做即時影像修正，相較下成像品質有些許落差。
然而ActionCam系列推出市場兩年多，屬長青機型，當時剛上市時憑藉光學防震技術，確實在畫面穩定性稱霸業界！但可惜至今遲遲未推出新機，隨著競品新電子防震技術不斷演進，優勢已漸漸不再；畢竟小編看著Sony長大，算是Sony影音控，私心期待ActionCam系列機能盡快推陳出新。
水中拍攝強化還原 深潛浮潛美景重現
年輕世代就是勇於冒險，探索不同美麗世界！時下不少正妹型男流行考潛水證照，能像美人魚優游水中自由潛水，或透過浮潛、深潛體驗浩瀚未知海底世界，與眾多繽紛熱愛魚一起共舞。
面對這得來不易的水中美景，親眼目睹想必意猶未盡，多數潛水者會想將這美麗瞬間記錄下來，藉由水中相機/攝錄機拍攝回憶。不過水中拍攝「有貓膩」，不像陸拍這般單純，若沒有開啟特殊水下模式（紅光補償），拍出來畫面會呈現藍藍一片，無法讓真實色彩重現，且潛層愈深，藍黑色調愈嚴重。主因光線進入水這介質時，光譜會被吸收遞減，波長愈長的紅色光最先會被吸收，使得水中景象出現藍色調！
「我們是水中拍攝專家，凌駕業界提供三種不同潛層『水中白平衡』色彩還原能力！」拆封相機收購olympus元佑資訊產品部課長黃俊鴻談到：「『水中色彩還原』與『微距拍攝』是Tough系列防水機兩大強項！新推出的『Tough TG-6』別於它牌只做單一水中模式或加裝濾鏡，出廠裸機即貼心搭載三種水下白平衡補償，能分別對應淺層3米、中層3-15米、深層15米以下三區深度拍攝，讓愛潛族在不同深度下還原真實色彩，無需再花錢購置濾鏡或費心事後電腦後製！」尤其這代新機還強化微距系統，新增1公分「水中顯微鏡」近拍，連開機速度、對焦、取景上皆做到進階實用，拆封相機收購olympus黃課長強調！
據瞭解「Tough TG-6」裸機帶來15米防水、2.1米防摔、100公斤抗壓、負10度耐寒、高等級防塵等堅固六防特性，搭配專用潛水盒後能水下45米深潛防護，且在既有豐富水中廣角、水中抓拍、水中HDR、水中微距（5-10公分）模式外，新增Super Macro水中顯微鏡超級微距模式，能近距離捕捉水中珊瑚或生物細節。較特別是過去若切換到微距拍攝，光圈與曝光補償值無法改變，好消息TG-6解除此封印，即使在P、A模式下，同樣能以1公分超級微距來拍攝，讓近拍性能更Pro！
遑論近可攻，遠也能加碼！針對想拍礁岩洞內小魚或探勘較深洞穴，「Tough TG-6」既有4倍光學變焦下，增添2倍數位變焦，整體逼近8倍變焦望遠取景，使用彈性更高；機身背面3吋LCD螢幕也從上代46萬提升到104萬，瀏覽觀賞更細緻活現。當然核心同樣優異相機拍攝能力，背照式CMOS搭配F2.0大光圈鏡頭與TruePic VIII處理器，且內建源於自家單眼的獨家「Pro Capture回溯模式功能」，快門按下瞬間，能回溯前14張影像，對於精采一刻快速捕捉或拍攝生態鳥類飛起瞬間相當好用。
如此海陸雙犀，特別是更專研於水中拍攝色彩還原，讓諸多「水行俠」讚不絕口，預料在拆封相機收購olympus衝鋒下，未來勢必會有更多品牌跟進，讓海底美麗世界不孤單，一一呈現徜徉你我生活與記憶。
「配件」扮演關鍵角色 極限回憶靠它罩
最近郭董有句名言叫「開外掛」；對於這類防水攝錄機，無論極限運動、水下記錄、險峻環境或想Vlog自拍創作，想安心＋貼心錄好錄滿，重要的是「有外援」，需要相對應「實用配件」。
舉例來說，想拍第一視角，就需將機器牢牢架在胸前或固定安全帽上；優游於水中玩樂或浮潛時，避免發生機器脫手石沉大海悲劇，必須加裝有飄浮輔助功能保險型配件，多一層保障。配件重要性不在話下，想要立足市場，壯大應用面與展現品牌實力，很大決勝關鍵在「豐富配件」！
GoPro之所以能站穩龍頭地位，相當大原因來自業界最多配件支援性，目前GoPro系列機配件數量超過百種以上，像是熱門常見的有「三向自拍固定架」，兼具三角架與手持自拍棒雙重功用，並能調整角度與長度。而針對海邊水上活動則提供中空「漂浮握把」與「水上防沉漂浮片」，機器不慎掉落水裡能自動浮起；比較特殊是針對側拍有「鯊魚軟管夾」，因應潛水第一人稱視角有咬在嘴巴或掛胸的「嘴咬式固定座」與「胸前綁帶」支援，並能以寵物視角看世界，將攝錄機綁在寵物身上「寵物背帶」等，當然衝浪配件與網紅需要的「專用麥克風連接器」一應俱全，各種形式應有盡有！甚至從國外網站消息，伴隨年底八代GoPro上市可能將推出「掛螢幕」自拍手把新配件，迎合Vlog影片自拍直播需求！
不僅GoPro，新同學DJI同樣針對配件積極佈局；包含有「深潛防水殼」能達水下60米防護；「ND減光濾鏡」提供ND 4/ND 8/ND16/ND32四檔ND減光濾片；「充電管家」可同時為三塊電池充電；「鎖緊螺杆」鎖緊固定於外框等；代理商預告未來將陸續引進「漂浮手把」、「相機保護框」、「曲面/平面粘貼底座」…等更多元實用配件，敬請期待。
Sony攝錄老牌也展現大廠風範，光ActionCcm系列就推出超過30種以上配件，除隨機附搭的水下60米防水殼，還涵蓋潛水專用配件、自行車專用、旅行專用、衝浪專用、滑板專用、登山專用，甚至寵物專用穿戴背帶都有；另一袖珍方正機「DSC-RX0M2」則推出專屬「手持相機握把」、「麥可風冷靴支架」配件G組合，整套含主機售價不到2萬元。
拆封相機收購olympus則針對水中拍攝帶來二代「魚眼轉換鏡頭」，能拍出有趣圓周魚眼與對角線魚眼效果；並有水下45米防護「防水殼」；輔助微距拍攝照明「環形LED閃光燈」、「閃光燈柔光罩」；能保護鏡頭免面刮損沾汙的「鏡頭蓋」與「保護濾鏡」等；同時在正常保固與免費到府收送外，還能幫用戶免費做防水係數測試，檢查機身膠條功能是否正常，讓使用更無後顧之憂！
只能說，時光飛逝，千金難買好回憶！無論純粹運動玩樂，旅遊記錄或工作Vlog拍攝，今夏各類「海錄悍將」以更好狀態與更人性實用配套支援，精彩豐富你的攝錄人生！
文【NOVA情報誌】http://ebook.nova.com.tw
拆封相機收購 拆封相機收購
拆封相機收購
圖、文／NOVA情報誌
錄好錄滿夏日奇「機」神救援～更強防震衝鋒技術，更易自拍前後雙螢幕，更美海底世界還原魔法，編織青春不凡風雲「錄」！
炎炎夏日，市區熱烘烘像烤爐，最佳休閒活動正是玩水！廉價航空盛行，年輕人愛出遊，四處造訪美麗海島、知名海灘，朝聖珊瑚礁浮潛聖地…這時仰望蔚藍天空、徐徐微風，搭配超美水中世界與比基尼正妹、肌肉型男，絕對「清涼」一夏！
伴隨時下衝浪、潛水盛行，各項極限運動挑戰者或網紅網美們，面對極具意義與稍縱即逝美好瞬間，想記錄保存或同步直播分享，讓好友家人粉絲如臨現場「看過當去過」，共享箇中點滴喜悅！
無論完整刻劃動人回憶，爾或讓自己Vlog影片點播率爆棚人氣紅不讓，必須得靠「專業」的來！有需求就有市場，因應戶外極限運動、水下記錄與險峻環境而生的「防水運動攝錄機」，「驚」夏豈止更多品牌加入，且各路「4K海陸悍將」大幅強化畫質防震技術&增添嶄新模式，滿足各環境運用拍攝，同時務求智慧一條龍後製&分享，錄完自動精華剪輯速上傳手機社群全方位搞定；特別是袖珍體態工藝續創新，首款雙螢幕機問世，契合Vlog直播自拍潮，水中拍攝還更Pro，真實還原海底美麗世界，重點豐富實用配件安心隨扈…本期特別專訪各大代表性機種&品牌，歐耶～即刻按下快門，跟隨小編腳步，體驗這不平凡的夏日攝錄奇「機」！
4K超防震精益求精 AI全自動剪輯分享
「影片」會說話！常常在一些外景綜藝節目如「愛玩客」、「綜藝玩很大」，看到主持人小鐘、小隊長瘋面仔KID與眾多穿著比基尼清涼裝女星，手持「防水攝錄機」激烈奔跑山林或沙灘，競逐闖關玩各項水上遊戲，拼戰時肢體動作，臉部特寫細微表情與女星嚇得花容失色瞬間，盡收觀眾眼裡。
重點不是這些女星身材好不好，而是有「影」有真相，間接印證手中專業「防水攝錄機」（或稱之為運動極限攝影機）強悍海陸防護力與高動態環境下拍攝實力。對於喜愛戶外運動，想記錄拍攝又不想冒著手機GG風險，有著極大吸引力與安全信心！
尤其這海陸雙棲悍將不只是攝錄利器，還能玩出很多影像樂趣，甚至市場龍頭品牌GoPro已能做到拍攝操作到後製剪輯、分享，單機一條龍包辦到好，讓不懂影片剪輯後製的大眾趨之若鶩！好還要更好，GoPro全新七代旗艦款「HERO 7 Black」持續帶來更強4K高畫質防震，更簡易AI智慧後製，還新增FB臉書串連直播分享功能…！
「七代機最大特色搭載『超級防震技術』，防抖效果相當好，讓玩家無需花錢買三軸穩定器！」GoPro台閔科技產品經理曾英雄指出：「GoPro堅持提供優質創新產品與令人感動視頻，至今進入第七代，各項功能更臻完善。全新主力旗艦『HERO 7 Black』延續既有堅固耐用性，無需防水殼裸機帶來水下10米防護，並提供業界最流暢4K每秒60格、1080P每秒240格影片畫質，尤其針對激烈動作下的防震抑制，導入最新研發『HyperSmooth超級防震技術』，畫面穩定性大幅提升，還新增過去後製才能做到的『TimeWrap移動縮時』模式，讓玩家邊走邊拍，玩出有趣快轉影像風格！」特別是凌駕業界的獨家好評「Quik Stories剪輯故事功能」，七代機進階再整合AI智慧分析，做到更「全自動」無需動手即完成作業。GoPro曾經理強調！
是的，七代新搭載「HyperSmooth超級防震技術」，確實相較上代能更顯著凍結抖動問題，無需搭配三軸穩定器即能拍出穩定順暢畫面，剛推出時本刊數位鑑定團單元搶先鑑定過這款，當時達人們對這功能評價高。尤其針對多數人不會剪輯影片困擾，上代透過專用Quik Stories App選好拍攝的影片與照片後，指定App內羅列的各式免費音樂與特效，已能幫玩家自動濃縮剪輯一段有串場、效果、配樂，適合分享的30秒到2分鐘精采影片，大受好評。
更棒的是七代加碼「AI自動全剪輯」，只要開啟設定內Auto模式，系統會智慧AI分析拍攝濃縮影片中人臉、聲音、畫面晃動…等，快速剪輯成精采片段並搭配音樂上傳你手機，讓你決定要不要存檔或直接分享上傳社群，達到「自動拍攝＋後製＋分享全方位包套到好」新成就，大幅節省後製時間，這也讓GoPro銷售量持續在市場開紅盤！
GoPro曾經理笑談，近期我們還推出「HERO 7 Black Dusk White暮光白限量版」，走白色機身外觀，很多女性朋友都喜歡。尤其迎合時下網紅網美直播分享風潮，七代機一大獨家新特色，能支援使用者臉書FaceBook Live串流直播，亦可透過RTMP轉址將錄像直播到個人YouTube、Twitch、Vimeo等頻道上，同步無時差將直播影片分享粉絲好友，推出後獲得不小迴響喔！
GoPro七代機相較上代增添這麼多亮點，讓人很好奇接下來八代的突破與發展！不斷追問下，GoPro曾經理鬆口八代新機最快10月引進台灣，但礙於商業機密無法透露細節，不過絕對會更滿足極限運動攝影，強化全方位Vlog&親子旅遊拍攝與更方便大眾使用。網路無國界！從國外網站搜尋得到的訊息，下代新機可能會推黑/銀/白三種色系，內建更高流暢4K每秒120格、1080P每秒480格畫質與防震新技術，代表拍出來畫面將更順更穩，且還有特殊專屬配件來迎合Vlog拍攝需求，值得期待！
創新前後雙彩色螢幕 主打Vlog極限愛好
「防水攝錄機」很大趨勢用途就是「Vlog影片拍攝！」近年來「Vlog」這名詞全球熱夯，Vlog簡單來說泛指「影片部落格Video blog」，許多網紅、YouTuber或影片創作者，透過簡單一段短片自拍，分享聊天或介紹美食生活旅遊等，吸引觀看與點閱，因貼近現實與高度原創性，就像朋友出現螢幕前哈啦，很受年輕人青睞，坊間一些熱門YouTuber的點擊率往往可衝破百萬！
本身能穿梭極限運動上山下海，隨時隨地應付各類拍攝環境的4K高畫質攝錄機，無疑成為Vlog興起後關鍵受益者，廠商們也看準此趨勢，紛紛研發推出相對應機型，搶食這塊Vlog新興商機！
在空拍機領域相當聞名的DJI大疆，近日正式跨足「防水運動攝影」領域即展現一鳴驚人之姿！首款代表作「OSMO Action」不但各項防護、畫質、性能完整到位，還前所未見導入「創新前後雙彩色螢幕」，加上相對親民價位策略，一上市就引發市場話題與各界觀注！
DJI代理先創國際行銷公關陳筱涵談到：「運動攝錄機的成功，跟直播世代興起有很大關聯！DJI首款『OSMO Action』最大優勢搭載『前後雙彩色螢幕』，小巧堅固機身下除具備裸機11米水下高防護，且在後置2.2吋觸控螢幕外，前方鏡頭旁還多增設1.4吋300dPi彩色螢幕，讓使用者能即時看到構圖不再盲拍，配件安裝時快速調整最佳角度，透過輕觸螢幕兩下即能做螢幕轉換，提供更好自拍Volg體驗與更方便分享個人經歷、心情和觀點！」雙管齊下，前螢幕記錄豐富有趣表情，後螢幕主宰第一人稱視角，搭配獨家「增穩技術」與「4K HDR拍攝」，讓運動、旅遊與日常拍攝，皆獲得高品質流暢畫面與絕佳構圖，DJI陳公關強調！
確如所言，這位攝錄界新同學遑論雙螢幕外觀很搶眼，內在攝功同樣深厚沒話說！核心內建Ambarella H2高速影像處理器與「RockSteady增穩技術」，透過濾波演算法強化防震穩定性，同時帶來業界高標4K每秒60格、1080P每秒240格影片錄製，100Mbps高資料量畫質與支援4K HDR；還一併提供多元有趣縮時錄影，8倍速慢動作拍攝，最大120秒長時曝光控制等模式玩法。
使用者也能透過專用「DJI Mimo App」，用手機進行操控瀏覽、拍攝與傳輸檔案，並能直接針對影片後製剪輯管理，內附豐富模板、濾鏡、音樂與貼紙可套，讓影片剪輯簡單低門檻，亦能針對影片做調速、亮度、飽和度、銳度等做細節調整，創造個人滿意作品。尤其DJI還連袂祭出多種配件，提供不同場景平台搭配安裝使用，同時支援語音控制拍攝等功能。整體綜合性表現與更低入手價格，無疑對GoPro造成威脅，俗話說相互競爭才會進步，對於消費者來說絕對樂觀其成！
全天候四防翻轉自拍 高畫質攝錄雙犀達陣
很多親子家庭一到夏天，都會去沙灘泳池玩水或出國旅遊浮潛；這時既希望擁有良好機身防護性，可在險峻嚴苛環境下使用，又期望像一般隨身類單相機般，擁有高畫質靜態拍攝與優異錄影能力，不單單偏重運動極限錄影用途，務求全天候四季生活隨拍！
這時擁有四防性能-防水/防塵/防摔/抗壓的「防水型堅固相機」，無疑成為另一優質選，幾乎各家相機廠都積極佈局！猶如日系相機大廠Sony全新二代掌上型袖珍防水機「DSC-RX0M2」，方正小巧極易攜帶，本身提供裸機10米防水、2米防摔、200公斤抗衝擊、高防塵四防堅固性，滿足日常、旅行、登山、朔溪等各環境使用，尤其在核心大感光元件高畫質特性下，新增180度翻轉自拍螢幕與強化4K防手震錄影，更移植自家好評的眼部偵測對焦與柔膚效果！
Sony台灣索尼數位影像產品部主任蘇子翔談到：「自家很受歡迎的RX0系列袖珍防水口袋型相機，優勢在超小身軀下內建最大的1吋堆疊式Exmor RS COMS感光元件，帶來同級機中最高畫質，完美兼顧全天候攜帶與最佳拍攝品質需求平衡性，是它牌所無法企及！」尤其我們要讓它應用更廣、更實用全方位，大刀闊斧在二代機新增180度翻轉螢幕，讓自拍更有感，並帶來更高4K每秒30格、1080P每秒120格流暢錄影品質，且新增間隔錄影拍攝與支援960FPS超級慢動作，出廠更搭配專用相機握把&同步可接麥克風冷靴支架（主機＋配件）組合，要讓愛拍Vlog影片的網紅、YouTuber與女性族群，通通納入紅心客群標靶，Sony蘇主任強調！
沒錯，COMS感光元件大代表進光量大，等於高畫質的保證！且二代新機還增添很多實用功能，錄影更提升4K水準，並內建有EIS影像防震技術。尤其針對錄像畫質穩定性較挑剔者，還額外提供「Movie Edit add-on」程式供搭配，能進一步透過智慧裁切處理做穩定強化，讓中間人物畫面更平穩！「效果直逼三軸穩定器所拍出喔！」Sony蘇主任指出！
「我們針對極限運動型防水攝錄者，還提供專業旗艦型『ActionCam FDR-X3000/ FDR-X3000R 』供選購！」Sony蘇主任續談，自家專為運動攝影與水中活動量身的ActionCam系列，很大強項領先業界唯一內建「B.O.SS全方位光學防震技術」，搭配4K清晰畫質、ZEISS蔡司鏡頭與Exmor R高感光元件，確保極嚴苛晃動環境下，輕鬆拍出高穩定清晰錄像，且更助於低光源環境下顏色還原度，讓色彩逼真漂亮；尤其出廠隨機附帶防水殼，套上後帶來水下60米高防護，外觀工藝更是雪白時尚，推出至今依舊賣得相當好。
是的，「光學式防震」主要透過鏡頭位移來修正晃動，不犧牲視野與任何影像細節，且低光源環境下亮度與還原力高；然而坊間多數機種採用的「電子式防震」，原理藉由縮減原有的畫面視野（各家程度不一），搭配動態感應器與提高ISO值做即時影像修正，相較下成像品質有些許落差。
然而ActionCam系列推出市場兩年多，屬長青機型，當時剛上市時憑藉光學防震技術，確實在畫面穩定性稱霸業界！但可惜至今遲遲未推出新機，隨著競品新電子防震技術不斷演進，優勢已漸漸不再；畢竟小編看著Sony長大，算是Sony影音控，私心期待ActionCam系列機能盡快推陳出新。
水中拍攝強化還原 深潛浮潛美景重現
年輕世代就是勇於冒險，探索不同美麗世界！時下不少正妹型男流行考潛水證照，能像美人魚優游水中自由潛水，或透過浮潛、深潛體驗浩瀚未知海底世界，與眾多繽紛熱愛魚一起共舞。
面對這得來不易的水中美景，親眼目睹想必意猶未盡，多數潛水者會想將這美麗瞬間記錄下來，藉由水中相機/攝錄機拍攝回憶。不過水中拍攝「有貓膩」，不像陸拍這般單純，若沒有開啟特殊水下模式（紅光補償），拍出來畫面會呈現藍藍一片，無法讓真實色彩重現，且潛層愈深，藍黑色調愈嚴重。主因光線進入水這介質時，光譜會被吸收遞減，波長愈長的紅色光最先會被吸收，使得水中景象出現藍色調！
「我們是水中拍攝專家，凌駕業界提供三種不同潛層『水中白平衡』色彩還原能力！」拆封相機收購olympus元佑資訊產品部課長黃俊鴻談到：「『水中色彩還原』與『微距拍攝』是Tough系列防水機兩大強項！新推出的『Tough TG-6』別於它牌只做單一水中模式或加裝濾鏡，出廠裸機即貼心搭載三種水下白平衡補償，能分別對應淺層3米、中層3-15米、深層15米以下三區深度拍攝，讓愛潛族在不同深度下還原真實色彩，無需再花錢購置濾鏡或費心事後電腦後製！」尤其這代新機還強化微距系統，新增1公分「水中顯微鏡」近拍，連開機速度、對焦、取景上皆做到進階實用，拆封相機收購olympus黃課長強調！
據瞭解「Tough TG-6」裸機帶來15米防水、2.1米防摔、100公斤抗壓、負10度耐寒、高等級防塵等堅固六防特性，搭配專用潛水盒後能水下45米深潛防護，且在既有豐富水中廣角、水中抓拍、水中HDR、水中微距（5-10公分）模式外，新增Super Macro水中顯微鏡超級微距模式，能近距離捕捉水中珊瑚或生物細節。較特別是過去若切換到微距拍攝，光圈與曝光補償值無法改變，好消息TG-6解除此封印，即使在P、A模式下，同樣能以1公分超級微距來拍攝，讓近拍性能更Pro！
遑論近可攻，遠也能加碼！針對想拍礁岩洞內小魚或探勘較深洞穴，「Tough TG-6」既有4倍光學變焦下，增添2倍數位變焦，整體逼近8倍變焦望遠取景，使用彈性更高；機身背面3吋LCD螢幕也從上代46萬提升到104萬，瀏覽觀賞更細緻活現。當然核心同樣優異相機拍攝能力，背照式CMOS搭配F2.0大光圈鏡頭與TruePic VIII處理器，且內建源於自家單眼的獨家「Pro Capture回溯模式功能」，快門按下瞬間，能回溯前14張影像，對於精采一刻快速捕捉或拍攝生態鳥類飛起瞬間相當好用。
如此海陸雙犀，特別是更專研於水中拍攝色彩還原，讓諸多「水行俠」讚不絕口，預料在拆封相機收購olympus衝鋒下，未來勢必會有更多品牌跟進，讓海底美麗世界不孤單，一一呈現徜徉你我生活與記憶。
「配件」扮演關鍵角色 極限回憶靠它罩
最近郭董有句名言叫「開外掛」；對於這類防水攝錄機，無論極限運動、水下記錄、險峻環境或想Vlog自拍創作，想安心＋貼心錄好錄滿，重要的是「有外援」，需要相對應「實用配件」。
舉例來說，想拍第一視角，就需將機器牢牢架在胸前或固定安全帽上；優游於水中玩樂或浮潛時，避免發生機器脫手石沉大海悲劇，必須加裝有飄浮輔助功能保險型配件，多一層保障。配件重要性不在話下，想要立足市場，壯大應用面與展現品牌實力，很大決勝關鍵在「豐富配件」！
GoPro之所以能站穩龍頭地位，相當大原因來自業界最多配件支援性，目前GoPro系列機配件數量超過百種以上，像是熱門常見的有「三向自拍固定架」，兼具三角架與手持自拍棒雙重功用，並能調整角度與長度。而針對海邊水上活動則提供中空「漂浮握把」與「水上防沉漂浮片」，機器不慎掉落水裡能自動浮起；比較特殊是針對側拍有「鯊魚軟管夾」，因應潛水第一人稱視角有咬在嘴巴或掛胸的「嘴咬式固定座」與「胸前綁帶」支援，並能以寵物視角看世界，將攝錄機綁在寵物身上「寵物背帶」等，當然衝浪配件與網紅需要的「專用麥克風連接器」一應俱全，各種形式應有盡有！甚至從國外網站消息，伴隨年底八代GoPro上市可能將推出「掛螢幕」自拍手把新配件，迎合Vlog影片自拍直播需求！
不僅GoPro，新同學DJI同樣針對配件積極佈局；包含有「深潛防水殼」能達水下60米防護；「ND減光濾鏡」提供ND 4/ND 8/ND16/ND32四檔ND減光濾片；「充電管家」可同時為三塊電池充電；「鎖緊螺杆」鎖緊固定於外框等；代理商預告未來將陸續引進「漂浮手把」、「相機保護框」、「曲面/平面粘貼底座」…等更多元實用配件，敬請期待。
Sony攝錄老牌也展現大廠風範，光ActionCcm系列就推出超過30種以上配件，除隨機附搭的水下60米防水殼，還涵蓋潛水專用配件、自行車專用、旅行專用、衝浪專用、滑板專用、登山專用，甚至寵物專用穿戴背帶都有；另一袖珍方正機「DSC-RX0M2」則推出專屬「手持相機握把」、「麥可風冷靴支架」配件G組合，整套含主機售價不到2萬元。
拆封相機收購olympus則針對水中拍攝帶來二代「魚眼轉換鏡頭」，能拍出有趣圓周魚眼與對角線魚眼效果；並有水下45米防護「防水殼」；輔助微距拍攝照明「環形LED閃光燈」、「閃光燈柔光罩」；能保護鏡頭免面刮損沾汙的「鏡頭蓋」與「保護濾鏡」等；同時在正常保固與免費到府收送外，還能幫用戶免費做防水係數測試，檢查機身膠條功能是否正常，讓使用更無後顧之憂！
只能說，時光飛逝，千金難買好回憶！無論純粹運動玩樂，旅遊記錄或工作Vlog拍攝，今夏各類「海錄悍將」以更好狀態與更人性實用配套支援，精彩豐富你的攝錄人生！
文【NOVA情報誌】http://ebook.nova.com.tw
圖、文／NOVA情報誌
極速連拍追焦 專業攝錄雙進階
（揉眼睛）哇、你看看這張照片，當年的你身材苗條，表情超甜美，一臉青春洋溢，笑得可燦爛，簡直正翻天～唉唉、讓人不勝唏噓啊！「（怒）來來來，給我說清楚，你是說老娘現在身材走樣又變醜嗎？」冤枉啊，我是誇妳水噹噹，感嘆歲月一去不回頭，還好有留下這美麗倩影。對了，這讓我想到上月趁暑假帶大寶二寶出國玩，之前相機壞掉就沒買，貪圖方便手機拍，螢幕上看還好，但傳到電腦後發現跟相機還是有落差，尤其拍不出那個Fu！這樣不行，回憶無價，小孩一下子就成大，看來需要買台新相機來好好紀錄！
「知道就好，人家隔壁老王有學過攝影，上週帶小朋友出去玩，那臉書分享的照片一張比一張美，還有厲害的散景模糊夢幻感，真的差很大！」哼、聽到隔壁老王比我行（好像怪怪的），身為男人怎能嚥下這口氣，廢話不說，速速物色款高階厲害相機！唉呀，聽說這期情報誌封面是我最愛的「峮峮」（笑），且剛好有相機採購專題，趕緊收藏一本來練功…買好機…讚讚～
高階「無反全片幅」 穩居攝界新主流
「當上帝關上一扇門，必將打開另一扇窗」，無疑是近年來數位相機市場最佳寫照！儘管手機拍照性能越來越強，消費型DSC小相機幾乎被殘酷消滅殆盡；然而手機鏡頭小，有其天生物理限制，對於想真正保存重要點滴回憶或捕捉最美瞬間者，會萌生「想買就買好一點」想法。畢竟攝影需求始終存在！轉而將目光投向畫質性能好，連拍追焦犀利，容易拍出散景的可更換鏡頭「高階三劍客」相機，並迅速帶動蓬勃發展，開啟相機大廠們第二春。
然而這「高階三劍客」各有特色與需求定位！新興的「無反全片幅EVIL」因拿掉反光鏡結構，體型相對輕巧，且性能與畫質技術已不輸單反，極受專業&進階攝影玩家青睞，尤其去年起除佈局已久的Sony外，包含光學大廠Canon、Nikon等陸續跨足這「無反全片幅」領域，全面帶動話題與銷售人氣，開始取代「單反」成為主流，預計今年市佔率續攀升，穩居未來數年「攝王」地位！
而傳統大單「單反DSLR」發展最早，畫質技術成熟，擁有30年以上龐大鏡頭群資產，加上絕佳操控手感與拍攝高張數電量，仍受到商業攝影界推崇。至於體態輕盈小巧的「無反小微單」，攜帶方便，外貌出眾CP值高，自拍、美肌、錄影樣樣精，持續擄獲旅遊人士、部落客與女性朋友芳心！青菜蘿蔔各有所好，這三劍客互有擁護群，三分天下割據高階機市場！
高速連拍超高像素 AI準確眼偵追焦
拍攝性能上，今年高階機續朝「雙高」高速連拍&超高像素有感突破！高速連拍好處不在話下，有助於拍攝移動中物體、婚禮宴會、運動路跑或好動小孩Q萌表情瞬間。目前坊間除少數旗艦款做到驚人每秒20張、18張連拍外，多數機種連拍速度維持10張以下，好消息從下半年起，多家大廠新機將跨越10張連拍門檻，意謂攝界即將全面迎向「雙位數」連拍速世代！
同時超高像素機也將成為市場一大話題！像素高對於整體影像細緻度有其幫助，特別是專業領域，大可拍一張去擷圖，得到想要的局部影像，或是因應大圖輸出等需求。富士近期就推出無反中片幅（比全片幅大1.7倍）機GFX100，搭載驚人的一億兩百萬像素，但價格同樣驚人，要價約30萬；無獨有偶的，Sony新上市的α7R Ⅳ四代機，亦將像素提升到無反全片幅機中最高的6100萬等級，機身售價還控制專業攝影領域可接受10萬以下，預計將帶動業界超高像素風潮。
而伴隨著核心處理引擎增強，相機的對焦速度、準確性與追焦範圍隨之更犀利，各家紛紛在既有臉部辨識下增添眼睛偵測對焦，搭配上即時動態追蹤，讓使用者無論靜態或動態下，皆輕鬆拍出清晰臉孔與炯炯有神完美人像，甚至藉由先進AI智慧大數據學習，達到「人&物」對焦更精準敏捷。舉例Sony系列機做到連寵物毛小孩都納入眼部即時偵測對焦；拆封相機收購olympus OM-D旗艦款還能針對高速的賽車、飛機、火車鎖定AI追焦，凍結紀錄主體瞬間，讓愛好者樂翻。
錄影功能全面增強 影音自拍外接擴充
相機不只專司靜態拍攝，伴隨錄影功能強大，開始取代傳統DV攝錄機，成為居家記錄小孩成長點滴主要配備，以及坊間專業錄影工作者實用生財工具！尤其在全球Vlog熱夯下， 近年YouTuber與影片創作者需求大增，為迎合這龐大新興錄影市場，各家新機持續在錄影性能&應用上全面加碼競逐。
目前市場多數機型已提供4K/30Fps每秒30格高解析錄影品質，動作積極的品牌如FUJIFILM，更內建達4K每秒60格先進技術悍機，讓錄製畫面流暢度表現更好。尤其在4K優異畫質基礎下，各家有志一同朝「質量」做提升，諸如導入4K無裁切錄影，套用更細緻6K、5K高資料量來錄製4K，甚至支援專業人士很愛的S-Log模式，保留更多亮度動態範圍與暗部層次細節，大助於影片後製。
尤其因應YouTuber影音自拍需求，各家主力受歡迎的「無反小微單」提供180度翻轉自拍螢幕&美肌功能，並移植進階的專業攝錄技術與導入完善外接擴充能力，再搭配廠商貼心規劃的專屬手持自拍架與專業收音麥克風供另購，讓網美、網紅與影片創作者，更輕易拍出自我最佳魅力影片與效果！
操作順手聰明購 公司貨物超所值
面對種類多元，學問深的可換鏡頭相機，「該如何聰明購呢？」首先考量自我拍攝需求，主要拍日常生活，還是專業使用，再根據口袋預算，挑選最適合的產品。若是一般生活拍攝，APS-C無反微單機已經很足夠，畫質與景深效果都可達一般人對單眼認知，目前2萬上下就有很好產品。若預算更充裕，想追求高畫質或晉升專業級攝影，則可鎖定能輕鬆拍出散景的無反全片幅機，目前坊間入門款機身4萬多元就能擁有。鏡頭搭配上，建議先從標準Kit一機一鏡或雙鏡組入門即可，後續當熟悉鏡頭焦段特性極限，再視需求選購定焦人像鏡或長焦旅遊鏡。
最後相機的操作順手性不能忽視，購買前務必花點時間到展示店試試手感與拍攝感覺；下手前無論實體或網路商店購買，建議盡可能買公司貨，不要為了省那一些小錢買水貨；公司貨提供更好服務與快速維修機制，水貨機一但發生故障，往往維修需等1-2個月；重要是公司貨還享有各原廠/代理商每月提供的眾多「免費攝影教學課程」與商品技術諮詢服務，加總這些附加價值，絕對更相對划算，物超所值喔！
文【NOVA情報誌】http://ebook.nova.com.tw
拆封相機收購 拆封相機收購
拆封相機收購
None
我們想讓你知道…操控也更直覺了！
記者莊友直／台北報導
經歷先前的傳聞後，拆封相機收購olympus 終在今（8/31）日推出睽違 2 年的入門微單眼 E-M10 III，整體外型仍維持前代復古規格；但諸多操作性能有微調、令其更符合初學者外，也導入來自 E-M1 II 的影像處理器與對焦系統，可說是超大升級！
E-M10 III 外型設計雖然與前代有些類似，但正面的握把有做加厚處理，更好握持外；機頂的按鍵也有做微調，像是右上曲線改為放大檢視外，左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪，不像前代面積來的那麼大，視覺效果感覺有些偷工。
▼機身正面可發現 E-M10 III 握把變得更厚實，不過機頂的操控轉盤止滑設計並無整個覆蓋，感覺有點偷工 。（圖／翻攝自官網）
▼機頂按鍵配置較前代有些微調，右上方曲線改為放大檢視，左下的 Fn3 則是變成能叫出拍攝選單的快捷鍵。（圖／翻攝自官網）
拍攝效能部分，E-M10 III 搭載與前代相同的 1,600 萬畫素 Live MOS M4/3 感光元件，卻導入機皇 E-M1 II 的 TurePic VIII 影像處理器，讓感光度可至 ISO200-25,600 外，連拍反應也從 8.4fps 增加至 8.6fps，且終於支援光學防手震下連拍了；不過 E-M10 III 五軸防手震仍是 4 級補償，沒有獲得下放，也算是入門機的宿命吧。
▼機背配置 3 吋 102 點畫素上掀觸控螢幕（不可自拍），整體按鍵配置與前代差別不大。（圖／翻攝自官網）
其他機能上，E-M10 III 具備 4K@30fps（無限時間，前代為 30 分鐘）、FHD@60fps，以及 HD@120fps 的高速錄影，也多了短片編輯功能；另外，針對初學者的操控機能上，E-M10 III 也大幅更改介面，不僅將 4K 影片獨立到錄影區塊，也有一區專業攝影模式 AP，內含曲線、重複曝光等不同拍攝模式。
▼在拍攝機能上。E-M10 III 不僅導入 E-M1 II 機皇的對焦與影像處理器，針對入門初學者也有更直覺的拍攝模式。（圖／翻攝自官網）
E-M10 III 海外預計 9 月底上市，單機身售價 649.99 美金，約合台幣 19,741 元，至於 14-42mm Kit 組則是 799.99 美金，約 24,297 台幣，台灣上市情報目前未定。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器（同 E-M1）
・外型設計維持二代設計，前方握把加厚提升握感
・機頂按鍵微調，左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀觸控螢幕（不可自拍）
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s（機械），電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps（II 代為 8.4fps）
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格，新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm，重約 410g（含電池、記憶卡）
拆封相機收購 拆封相機收購
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