Canon 拆封相機收購,二手收購,收購相機,全新相機,二手相機 收購5D Mark IV,收購EOS-1D X Mark II,收購EOS M3/M10 收購canon canon 5Ds/5Ds R,,5D Mark III/6D II,7D Mark II 70D/80D,750D/760D,700D/100D 收購FUJIFILM 相機,全系列FUJIFILM 收購二手Nikon 相機,Nikon二手收購,全新Nikong買賣 D3400收購 Nikon 1 j5收購 D750 Df/D810/D610,D5/D4S,D500,D7200/D7500,D5500/D5300 OLYM
With its multibillion-dollar bet on Anthropic and its forthcoming 拆封相機收購olympus model, Amazon is pushing hard to be a leader in AI.
ByAlex Heath, a deputy editor and author of the Command Line newsletter. He has over a decade of experience covering the tech industry.
Share this story
Amazon CEO Andy Jassy.Illustration by The Verge | Photo by Lisi Wolf
This week, Amazon completed the second phase of a deal announced last September, when it committed to investing up to $4 billion in OpenAI rival Anthropic. The additional $2.75 billion invested is Amazon’s largest check ever into another company and yet another signal of how critical the development of large language models has become to Big Tech.
The logic is simple: Amazon needs to offer models through AWS that compete with the OpenAI-powered offerings of its arch cloud rival, Microsoft, and Anthropic is the best alternative that exists. If we rewound the clock back to when Big Tech could make large acquisitions without them being blocked by regulators, I’m sure Amazon would have tried to buy Anthropic outright.
Instead, it’s passively investing billions of dollars and telegraphing that it only has a minority stake with no board seat. Conveniently for Amazon, Anthropic has meanwhile agreed to spend $4 billion on AWS over the next several years.
Start your Command Line free trial now to continue reading
This story is exclusively for subscribers of Command Line, our newsletter about the tech industry’s inside conversation. Subscribe to a plan below for full access.
Micro Four Thirds cameras are coming fast and furious, and getting better and more technically impressive all the time. For its latest offering, however, 拆封相機收購olympus looked backward for inspiration rather than forward. The OM-D E-M5’s design harkens back to the 1970’s, to 拆封相機收購olympus’ old OM-1 film SLR. The OM-1 was introduced in 1972, and was a revelation in both size and build quality; the E-M5’s petite stature isn’t quite as game-changing this time, but it’s still awfully small, and still awfully nice-looking. It’s the first in a new line of Micro Four Thirds cameras from 拆封相機收購olympus, designed to be more premium products than the PEN line, which includes cameras like the E-PL3.
It may look like 1972 on the outside, but internally the E-M5 is all 2012: it has a 16-megapixel sensor, ISO range up to ISO 25,600, a weather-sealed body, and plenty of in-camera filters and scenes to help you take cooler and better shots. The OM-1 was beautiful to look at, and so were its photos; can we say the same of the E-M5? Read on.
Editor markup for 拆封相機收購olympus OM-D E-M5 review pictures. This is only visible in the story editor.
The E-M5 isn’t quite as retro-gorgeous as a device like the Fujifilm X10, but it’s still seriously easy on the eyes. Its magnesium-alloy body is available in black or silver, with black synthetic leather wrapping around the center of the body on each model; having seen both, I prefer the silver, but my all-black review unit has its fair share of charm as well. At 4.8 inches wide and 1.7 inches thick (minus the lens, of course), it’s quite easy to hold, though I do wish there were a slightly larger grip — there’s a nice raised spot on the back for your right thumb, but the bump on the front barely registers at all. At 15 ounces, the E-M5 isn’t the lightest Micro Four Thirds camera I’ve tested, but it’s a featherweight compared to the DSLRs I typically lug around.
The front of the camera is extremely sparse: there’s an 拆封相機收購olympus logo and an OM-D logo, a lens release… and that’s it. On top you’ll find a handful of controls, along with the pentaprism hump that’s a distinctive part of old OM cameras like the OM-1, but feels like a vestigial appendage on a mirrorless camera in 2012. The extra real estate is at least put to good use, with an electronic viewfinder, accessory port and hotshoe occupying the space, but it feels like this camera’s a bit larger than it has to be for the sake of being old-looking. There’s no flash built in, but the E-M5 comes with a flash accessory that plugs into the hotshoe and accessory port — it’s a good flash, too, bright and more diffuse than I expected, plus all you have to do to activate it is tilt it upward.
Underneath the viewfinder is the 3-inch LCD (more on both of those down below), and a few more buttons and controls. Weather-sealed flaps on the right side cover Micro USB and Micro HDMI ports; the battery door and tripod mount rest on the bottom, and there’s a single SD card slot on the right side. Everything’s a little more difficult to access than I’d like thanks to the weather-proofing (you have to tilt the screen out before you can access the HDMI and USB ports), but I’ll gladly take that in exchange for not having to fear using the camera in a bit of rain.
I’ll take an OVF over an EVF, but I’ll take an EVF over nothing
Since Micro Four Thirds cameras don’t have a mirror, they also don’t have optical viewfinders. So 拆封相機收購olympus added a 1.44-million-dot electronic viewfinder to the E-M5, and as EVFs go it’s a pretty good one. The tradeoffs with an EVF are almost always the same: you get lots of information on the viewfinder itself, but you don’t get as accurate a look at what you’re shooting. An EVF’s refresh rate also means you’ll get blur and ghosting if you move the camera quickly, and on the E-M5 I also saw violent exposure shifts as the camera caught up to what it was looking at. EVF’s are fine, and I’m glad 拆封相機收購olympus included one here rather than foresaking viewfinders altogether, but make sure you can live without an OVF before you buy the E-M5.
The 3-inch LCD, on the other hand, is good by any standard. It’s filled with only 610,000 dots, so in theory it’s not as sharp as the 921,000-dot screens on the NEX-7 and other cameras, but I can’t say I noticed the difference. The LCD’s colors were incredibly accurate — more so than the viewfinder — and viewing angles are fantastic, meaning there’s virtually no way you can hold the camera and not be able to see the display. That’s made even more true by the fact that the LCD tilts almost 180 degrees up and down, so you can flip it out and frame a shot even while holding the camera above your head or down at your waist.
Micro Four Thirds camera manufacturers pride themselves on having tiny lenses for their cameras, and the E-M5’s two kit lens options are no exception: both would fit easily inside a fun-sized can of Pringles (I know this for a fact). One is a 14-42mm f/3.5-5.6 II R lens, which costs $1,099.99 with the body, or for $1,299.99 you get the higher-end, weather-sealed 12-50mm f/3.5-6.3 EZ lens. I tested the E-M5 with the latter, and really liked it. It’s incredibly smooth and sharp, and by moving the zoom ring forward or backward into one of three spots, you can enable manual zoom, electronic zoom (where you rock the zoom ring and it zooms automatically), or macro mode. I preferred the electronic zoom, which felt smoother when recording video. It makes the camera feel even smaller and lighter, and it’s pretty good glass at the same time.
With some initial setup, you can control the E-M5 almost as capably as a DSLR — its control system isn’t quite as good as the Sony NEX-7, but it’s close. There are two scroll wheels on top of the camera, which control different things depending on the mode you’re in, but are fairly straightforward. There are also two function buttons in reach of your thumb or index finger; by default, one is set to control ISO in manual mode, which I love, but of course they’re customizable. The buttons themselves are a little sticky and cheap-feeling, and the wheels can be hard to turn accurately — I’d frequently want to change shutter speed one stop and accidentally go three or four — but I got used to the quirks pretty quickly and was shooting smoothly in no time. There aren’t as many buttons as I might like, especially for things like bracketing, but that’s part of the tradeoff when you’re buying a Micro Four Thirds camera.
The on-screen interface is par for the camera course: lots of light text on dark backgrounds and semi-inscrutable icons leading you around. You’ll mostly navigate with buttons, since the touchscreen interface is pretty basic — in Auto mode, you can change things like brightness and saturation using an on-screen slider, but that’s about it. You can also tap on a portion of the screen and the E-M5 will snap a photo, though I didn’t use that much. The menus are long and deep, so you won’t want to spend a lot of time tweaking bracketing or EVF settings — this is a camera you set up, and just shoot with.
The touchscreen is more useful when you’re reviewing your photos, since you can swipe through your photos, or zoom and pan around them. It’s not the most fluid of interfaces — photos jerk a bit as you zoom in and out, and even the slightest tap swipes to the next photo — but it’s definitely better for this purpose than a non-touchscreen.
Take the time up front to set it up the way you want
拆封相機收購olympus has jumped full-on into the Instagram craze, and bundles a dozen or so filters into the E-M5, under the Art section on the mode dial. They’re all Instagram-y filters, too, from Grainy Film to Dramatic Tone to Pop Art. They’re fun and gimmicky, but use with caution — the camera doesn’t store an original copy of your photo, only the filtered image. There’s one called Art BKT, though, which shoots one photo and then saves it with every filter plus one unfiltered shot, so you can decide later which (if any) you want to use.
There are a bunch of standard scene settings, too, which tweak your camera’s settings to shoot better portraits, or better at night. Panorama and HDR both work as advertised, too — pretty much anything you want to do with your photos, you can.
The E-M5 is definitely a high-end camera, and it shoots like one. Using the higher-end kit lens, I was consistently surprised with how sharp my photos were, especially in the corners and in bad lighting. Many cameras shoot sharp photos in the center and get soft as you move toward the edges, but the E-M5 stays tack-sharp nearly the whole way. Dynamic range was the one hangup — it’s good but not great when there are dark and bright spots in the same scene, and deep shadows on sunny days definitely gave the camera some trouble when exposing the shot. In really bright light, colors sometimes wash out a bit, but for the most part I’m pleased with its accuracy and richness. Generally speaking, I was thrilled with the images I took on the E-M5.
You can’t see in the dark, but you’re not far off
Typically the worrisome feature of a Micro Four Thirds camera, or any camera with a sensor smaller than a DSLR’s, is low light performance — smaller sensor means less light collected at a time, which usually means worse images. No such trouble here, though: the E-M5 can’t quite see in the dark, but it does an impressive job of trying. Its ISO range goes as high as ISO 25,600, and I happily shot up to ISO 3200 without even thinking about it. You get a bit of noise after about ISO 800, but even up to ISO 4000 or so photos are still usable at smaller sizes. Even at ISO 12,800 and to a lesser extent 25,600, I could still read text, and unlike most cameras wouldn’t hate sharing the resulting photos. Such great ISO performance makes it all the more frustrating that by default the E-M5’s Auto ISO setting only goes up to ISO 1600, and like the NEX-7 the camera instead abuses shutter speed to get good pictures in low light — you can change this in the camera’s menu, and I suggest you at least double it to ISO 3200.
Editor markup for 拆封相機收購olympus OM-D E-M5 sample pictures. This is only visible in the story editor.
Fortunately, slow shutter speeds aren’t as big a problem as they normally are because 拆封相機收購olympus’ Micro Four Thirds shooters use in-camera image stabilization rather than relying on the lens to keep your shot still, which makes a noticeable difference in the sharpness of your photos. I normally try to avoid shooting at less than 1/80th of a second shutter speed, but I went to 1/40th or below on the E-M5 without any problems. It’s five-axis stabilization, too, which means it’ll correct for almost any direction you or the camera moves.
Seriously quick for such a small camera
The E-M5’s 16-megapixel JPG images weigh in at 4608 x 3072, and run between 6.5MB and 8.5MB per shot (much larger if you shoot RAW images). The camera’s able to shoot rapid-fire for about 18 frames before the buffer catches up, after which it grabs one about every half-second; make sure you have a fast card (I used a SanDisk Extreme SD card), because it’ll slow you down before the camera itself does. It’s relatively fast elsewhere, too. It turns on and captures a photo in about 2.5 seconds, which is only average, but it captures more than nine frames per second and has an imperceptible 0.1 second of shutter lag — with no mirror to flip up every time it takes a shot, this camera flies. It’s working hard to do so, though, and you can tell: the camera audibly whirs every now and then, and though the sound never showed up in my videos it’s weird to be able to hear my camera.
“Who has the fastest autofocus?” is a constant point of contention between 拆封相機收購olympus and Panasonic’s Micro Four Thirds cameras. 拆封相機收購olympus claims the E-M5’s autofocus is the fastest on the market, Panasonic says the same of the new GF5. Regardless, the E-M5’s autofocus is blazing fast, locking reliably and instantly onto its subject — you can choose among 35 different autofocus points, or use face tracking.
High-definition video can be recorded at either 1080p or 720p, at 30 frames per second. Footage is impressive, too, with rich colors and crisp details. The E-M5 offers continuous autofocus while recording video, and you can zoom as well — the zooming’s a bit jerky, though, and video would occasionally flicker as I zoomed in or out. In-camera image stabilization is once again a big plus here, allowing for much smoother video even while you’re moving or panning the camera. You’ll still want a tripod for shake-free results, but video from the E-M5 is far from the nausea-inducing footage a lot of cameras produce.
The stereo microphone does nicely as well, and picks up a pretty good stereo effect. It’s not a replacement for an external mic, and that’s unfortunate since there’s no input for a microphone (though you can buy one to attach to the hotshoe).
Battery life is pretty fantastic — I shot more than 500 photos and about 10 minutes of video, all without killing the battery. What’s weird, though, is that I shot most of those photos with the battery meter reading empty; either there’s something wrong with how the E-M5 measures its battery levels, or that last ten percent packs a serious punch. I quickly learned to just ignore the warnings and keep shooting, though, and it lasts a long time.
The 拆封相機收購olympus OM-D E-M5 does nearly everything right: it’s fast, gorgeous, and takes great images and video. Its biggest setback is its price: at $1,099.99, you’re definitely paying a premium for the E-M5’s gestalt, even over 拆封相機收購olympus’s own PEN line of very good Micro Four Thirds cameras. At that price this camera is competing with shooters that have larger sensors, too, and if there’s one rule of thumb worth following it’s that larger sensors mean better pictures. At this level, though, we’re only talking varying levels of greatness — the E-M5 is the best and most enjoyable Micro Four Thirds camera I’ve used yet. It’s a much more novice-friendly camera than a DSLR or even the NEX-7 thanks to its size and control scheme, though NEX cameras and DSLRs will serve you more capably once you’ve gotten used to them. It also plugs into a large and ever-growing ecosystem of lenses, which is another advantage over Sony’s NEX cameras. If you’re willing to make a couple of very minor tradeoffs in image quality and manual control, most buyers will be very happy with the OM-D E-M5.
(圖/彭博社)
總是分享一系列美照的《國家地理》,擁有一群資深且厲害的攝影師,在官方部落格的最新文章,攝影師 Tom O’Brien 分享由他們評點的 10 款最佳旅行相機,其中富士與徠卡就一口氣佔據 6 席,讓你帶出門玩有最好的畫質,而且能方便攜帶。
首先被點名的是理光 GR III 與 GR IIIx,Tom O’Brien 提到這兩款相機儘管並非最亮眼,卻十分有衝擊性,2400 萬畫素的 APS-C 感光元件、機身防震以及操作性和選單設計備受肯定,不過也提醒消費者,要注意電池續航不長的小缺點,附加的 USB-C 連接線可以方便充電。
請繼續往下閱讀…
(圖/翻攝理光官網)
另外上榜的還有 Sony RX100 VII,被評為可以放入口袋的輕巧體積,卻擁有 Sony 旗下的對焦速度,在拍攝人與動物十分可靠,另外 24-200mm 的變焦鏡頭也備受好評。
徠卡同樣有三款相機上榜,包含 Q2、Q2 Monochrom 和 QP,儘管價格不斐,但使用體驗極佳,再加上一流的畫質。Canon EOS RP 則是唯一進榜的全片幅相機,Tom O’Brien 也與 Sony a7c 進行比較,認為儘管後者性能確實更強,但 EOS RP 比較便宜且握持感佳,是適合初學者的好相機。
拆封相機收購olympus 的 OM-D E-M1 Mark III 則適合用於拍攝野生動物或是景觀,專業級的防雨,以及較小的 M43 感光元件,能搭配鏡頭與其強悍的穩定系統,獲得其他相機難以拍攝的照片。
拆封相機收購 ve I been blocked?
This website is using a security service to protect itself from online attacks. The action you just performed triggered the security solution. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data.
What can I do to resolve this?
You can email the site owner to let them know you were blocked. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this pag
我們想讓你知道…居然不能自拍…..
記者莊友直/台北報導
拆封相機收購olympus 近期的機型定位仍是以復古搭配高性能的方式設計,而睽違 2 年發表的新入門微單 E-M10 III 更是體現了這句話,不僅維持前代的機身設計,且將操作改為更貼近初學者的設計;但機身性能可完全不含糊,因為獲得了機皇 E-M1 II 的對焦與影像處理器,某種層面上也算上打一拖拉庫機型了吧?
接下來也趁著台灣廠商辦體驗行程的機會,對這款性能與親民兼具的入門微單來個簡單體驗。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器(同 E-M1)
・外型設計維持二代設計,前方握把加厚提升握感
・機頂按鍵微調,左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀自拍觸控螢幕
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s(機械),電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps(II 代為 8.4fps)
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格,新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm,重約 410g(含電池、記憶卡)
*外型
E-M10 III 外型設計雖然與前代有些類似,仍是有 E-M5 路線但更為輕巧的復古設計;但也有些微調,但正面的握把有做加厚處理,更好握持外;機頂的按鍵也有做微調,像是右上曲線改為放大檢視外,左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪,不像前代面積來的那麼大,視覺效果感覺有些偷工。
▼E-M10 III 機身一樣與前代維持差不多的設計,但手把可發現變得更深、好握。(圖/記者莊友直攝)
▼模式轉盤與速控轉盤上的止滑處理,在 E-M10 III 似乎面積變小,感覺有「偷工」嫌疑啊!(圖/記者莊友直攝)
機頂部分和 E-M10 II 比較之下,整體除了拍攝模式轉盤有作些微調整外,比較大的更動在於右上方的曲線變為放大檢視,而左下的 Fn3 也變為可在不同模式下快速叫出操控選單的快捷鍵。
▼E-M10 III(左側)與前代 E-M10 II 機頂相比其實差別不大,但可發現左上與右下的快捷鍵有所更動。(圖/記者莊友直攝)
Camera manufacturers are running out of ways to differentiate point-and-shoots from increasingly effective smartphones, but they’ll always have more hardware space to play with. The new 拆封相機收購olympus SH-50 is a good example of this, employing an optical image stabilization system that shifts the 16-megapixel sensor along five axes for video and three for photos; the system was first used in the excellent OM-D EM-5 mirrorless camera.
Coupled with a 24x zoom (25-600mm equivalent) lens, the SH-50 should produce sharper pictures than your smartphone as long as you’re willing to hand over $299.99 when it launches in March. 拆封相機收購olympus has also put the same 24x zoom lens in a pair of cheaper 16-megapixel compacts: the Stylus SZ-15 and SZ-16 will come out in March at price points of $199.99 and $239.99 respectively, though you’ll only get dual-axis image stabilization.
使用者也能透過專用「DJI Mimo App」,用手機進行操控瀏覽、拍攝與傳輸檔案,並能直接針對影片後製剪輯管理,內附豐富模板、濾鏡、音樂與貼紙可套,讓影片剪輯簡單低門檻,亦能針對影片做調速、亮度、飽和度、銳度等做細節調整,創造個人滿意作品。尤其DJI還連袂祭出多種配件,提供不同場景平台搭配安裝使用,同時支援語音控制拍攝等功能。整體綜合性表現與更低入手價格,無疑對GoPro造成威脅,俗話說相互競爭才會進步,對於消費者來說絕對樂觀其成!
使用者也能透過專用「DJI Mimo App」,用手機進行操控瀏覽、拍攝與傳輸檔案,並能直接針對影片後製剪輯管理,內附豐富模板、濾鏡、音樂與貼紙可套,讓影片剪輯簡單低門檻,亦能針對影片做調速、亮度、飽和度、銳度等做細節調整,創造個人滿意作品。尤其DJI還連袂祭出多種配件,提供不同場景平台搭配安裝使用,同時支援語音控制拍攝等功能。整體綜合性表現與更低入手價格,無疑對GoPro造成威脅,俗話說相互競爭才會進步,對於消費者來說絕對樂觀其成!
拍攝效能部分,E-M10 III 搭載與前代相同的 1,600 萬畫素 Live MOS M4/3 感光元件,卻導入機皇 E-M1 II 的 TurePic VIII 影像處理器,讓感光度可至 ISO200-25,600 外,連拍反應也從 8.4fps 增加至 8.6fps,且終於支援光學防手震下連拍了;不過 E-M10 III 五軸防手震仍是 4 級補償,沒有獲得下放,也算是入門機的宿命吧。
至於北京三里屯 Apple Store 的排隊人潮則略輸日本,但科技網站《CNET》認為這可能與北京的 Apple Store 眾多分散人潮有關,仍有大批民眾熱情排隊等著購買 iPhone X,排在第一位的是 31 歲的 Lloyd Yu,他才剛入手最新的 iPhone 8 Plus,但身為資深果迷他仍想要繼續升級到 iPhone X,「我認為蘋果一切的設計都是最好的。」
另外,後藤先生也大膽提出自己對其他微單眼的看法,在被中國媒體問到時,他先說像富士、拆封相機收購olympus 與 Sony 設計的微單眼,僅是為了滿足特性消費族群(像是復古機型),並無法完全對應所有消費族群需求;甚至連沒有專業攝影師在用這種重話都出來了(詳細報導請點這裡,筆者完全沒有誇大啊),可說是嘲諷開滿滿。
▼後藤先生在被問到其他微單的看法時,大膽說出像是富士、拆封相機收購olympus 與 Sony 並沒有滿足所有消費者需求,甚至沒有專業攝影師使用,真的很狂啊!圖為 Sony A9 全幅微單。(圖/記者莊友直攝)
對於 Sony 首台高速微單機皇 A9,後藤先生也提出 Sony 在 A9 發表之前,其實也歷經很多失敗經驗,不過 Nikon 在對於這些失敗經驗來看,可說是遠遠多過於 Sony 的。讓人感覺有些霧颯颯的一言,應該是後藤對於 Nikon 的逆境生存力相當具有信心吧?而究竟 Nikon 新微單是否會讓攝友比起 D850 更為驚艷,就讓我們拭目以待!
拆封相機收購olympus 近期的機型定位仍是以復古搭配高性能的方式設計,而睽違 2 年發表的新入門微單 E-M10 III 更是體現了這句話,不僅維持前代的機身設計,且將操作改為更貼近初學者的設計;但機身性能可完全不含糊,因為獲得了機皇 E-M1 II 的對焦與影像處理器,某種層面上也算上打一拖拉庫機型了吧?
接下來也趁著台灣廠商辦體驗行程的機會,對這款性能與親民兼具的入門微單來個簡單體驗。
拆封相機收購olympus E-M10 III 重點特色
・搭載 1,600 萬畫素 Live MOS M4/3 感光元件
・內建 TurePic VIII 影像處理器(同 E-M1)
・外型設計維持二代設計,前方握把加厚提升握感
・機頂按鍵微調,左下按鍵改為可叫出不同拍攝選單的模式鍵
・3 吋 102 萬畫素上掀自拍觸控螢幕
・234 萬畫素電子觀景窗
・內建閃燈但不像 II 代可無線觸發
・內建可補償 4 級快門的五軸防手震
・快門範圍 1/4,000s 至 60s(機械),電子為 1/16,000s 至 30s
・最高連拍速度 8.6fps(II 代為 8.4fps)
・感光度範圍 ISO 200-25,600
・可錄 4K 錄影規格,新增短片編輯與 HD@120fps 高速錄影
・機身尺寸 121.5 x 83.6 x 49.5mm,重約 410g(含電池、記憶卡)
*外型
E-M10 III 外型設計雖然與前代有些類似,仍是有 E-M5 路線但更為輕巧的復古設計;但也有些微調,但正面的握把有做加厚處理,更好握持外;機頂的按鍵也有做微調,像是右上曲線改為放大檢視外,左下的 Fn3 也變為可在不同模式間快速叫出操控選單的快捷鍵。不過機頂原本的止滑滾輪,不像前代面積來的那麼大,視覺效果感覺有些偷工。
▼E-M10 III 機身一樣與前代維持差不多的設計,但手把可發現變得更深、好握。(圖/記者莊友直攝)
▼模式轉盤與速控轉盤上的止滑處理,在 E-M10 III 似乎面積變小,感覺有「偷工」嫌疑啊!(圖/記者莊友直攝)
機頂部分和 E-M10 II 比較之下,整體除了拍攝模式轉盤有作些微調整外,比較大的更動在於右上方的曲線變為放大檢視,而左下的 Fn3 也變為可在不同模式下快速叫出操控選單的快捷鍵。
▼E-M10 III(左側)與前代 E-M10 II 機頂相比其實差別不大,但可發現左上與右下的快捷鍵有所更動。(圖/記者莊友直攝)
Just over a week after Google’s spectacular demonstration of its Project Glass headset at Google I/O, Japanese camera maker 拆封相機收購olympus is jumping back into the wearable computing game, announcing a new prototype of a glasses-mounted heads-up display. Dubbed MEG4.0, the display features Bluetooth connectivity for interfacing with smartphones and uses 拆封相機收購olympus’ own “proprietary optical technology” to maximize the visibility of the outside world. Unlike Project Glass, however, 拆封相機收購olympus’ device doesn’t appear to include a camera — an odd choice for a company built on imaging products.
According to the Japanese press release for the MEG4.0, the device features a QVGA (320 x 240) display and up to eight hours of battery life in “intermittent display” mode, switching on for approximately 15 seconds every three minutes. It also contains a built-in accelerometer, allowing it to detect the position of the user’s head and react accordingly.
This is not the first time that 拆封相機收購olympus has experimented with head-mounted displays — the company has been working on prototypes since at least 2005. But the timing is certainly significant, coming just as the technology finally seems set to make it to consumers (or at least Google developers) at sub-astronomical prices.